Steve Martin 净资产 2026
最近更新 August 3, 2026
As of 2026, Steve Martin has an estimated net worth of $389.6 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- 披露的工资和记录的后端,每个都有一个引用
- 未公开的角色是根据其时代、预算范围和职业阶段的已公开可比角色建模的
- 根据披露的中位数估算后端、背书和生产积分

Fast Facts
| Birthdate | 不适用 |
|---|---|
| Birthplace | 不适用 |
| Breakthrough | career breakthrough modeled at 1979 |
| Best Known | Only Murders in the Building (2021) |
Who Is Steve Martin?
Steve Martin is best known for Only Murders in the Building (2021). The earnings behind Steve's net worth come from film salaries, backend participation, and endorsement deals.
The model tracks Steve's earning years from 1966 to 2026, with the biggest single year in 2006 at about $23.2 Million of gross income. After representation fees, taxes, and living costs, what stays invested compounds at market returns into an estimated $389.6 Million today.
Data
下面的每一行都是根据公共数据和我们网站上发布的费率表计算得出的 方法页。信心: C级。记录的数字仅占该数字的一小部分,因此大部分数据是根据已发布的比率和可比数据建模的(等级从 A(主要记录在案)到 C(主要建模))。
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (60 of 95 films) era and budget-band medians of disclosed lead salaries (winsorized, thin cells shrunk toward the era median), blended with this actor's disclosed quote history when available; soft breakthrough blend near the career break year | $228,566,800 |
| Film pay, modeled post-breakthrough supporting roles (19 of 95 films) 12.0% of lead cells: lane_benchmarks role/post_breakthrough_supporting_ratio | $31,163,580 |
| Film pay, modeled supporting and early roles (16 of 95 films) 时代中位数的 2.5%:成名前的比率 | $5,764,819 |
| 后端点,估计 12% of disclosed lead deals included points, at a median 2.6% of box office; expected value on 33 commercially viable undisclosed lead roles; cash spread over 3 years | $6,772,651 |
| 预计认可度(1 个品牌合作伙伴) 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years | $16,000,000 |
| 残差,估计 SAG residual rates on post-theatrical receipts assumed at half of box office, split by role share and spread over the ten years after each release | $15,400,469 |
| TV: Dusty's Attic Tex; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Off to See the Wizard Simon the Pieman; guest default per credited year; animation format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: The Smothers Brothers Comedy Hour Himself / Medieval King; stated episode count; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $375,000 |
| TV: The Ray Stevens Show Himself; stated episode count; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $525,000 |
| TV: The Sonny & Cher Comedy Hour Various characters; stated episode count; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $975,000 |
| TV: The Midnight Special Himself; stated episode count; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $225,000 |
| TV: The Funnier Side of Eastern Canada Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Doc Brian Bogert; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Steve Martin: On Location with Steve Martin Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Saturday Night Live Himself (host); stated episode count; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $729,300 |
| TV: The Muppet Show Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: The Carol Burnett Show Himself; guest default per credited year; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Steve Martin: A Wild and Crazy Guy Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Steve Martin: Homage to Steve Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Steve Martin: Comedy Is Not Pretty Himself; guest default per credited year; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: All Commercials... A Steve Martin Special Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Steve Martin's Best Show Ever Himself; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: Twilight Theater Various characters; one engagement for a television film or special; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $75,000 |
| TV: Domestic Life credited role; stated episode count; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $750,000 |
| TV: George Burns Comedy Week credited role; stated episode count; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $975,000 |
| TV: Leo & Liz in Beverly Hills credited role; stated episode count; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $450,000 |
| TV: The Tracey Ullman Show Rusty DeClure; guest default per credited year; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: And the Band Played On The Brother; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: The Simpsons Ray Patterson (voice); guest default per credited year; animation format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| TV: 73rd Academy Awards Himself (host); guest default per credited year; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| TV: 75th Academy Awards Himself (host); guest default per credited year; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| TV: 30 Rock Gavin Volure; guest default per credited year; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| TV: 82nd Academy Awards Himself (co-host); guest default per credited year; broadcast network family; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| TV: Maya & Marty Himself; stated episode count; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $45,000 |
| TV: An Evening You Will Forget for the Rest of Your Life Himself; guest default per credited year; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| TV: Saturday Night Live 50th Anniversary Special Himself (opening monologue); guest default per credited year; variety format tier; priced from tv_episode_rates.csv (en.wikipedia.org) | $30,000 |
| Arena stand-up and comedy records (modeled) He was the biggest stand-up in America at the end of the 1970s, the first comedian to fill arenas, drawing crowds near 30,000 by 1979. Let's Get Small went platinum and A Wild and Crazy Guy followed it, and both took the comedy Grammy. Ticket grosses were not tracked in that era, so this books modeled touring and record income across the run. (riaa.com) | $21,500,000 |
| Only Murders in the Building (modeled) He co-created the Hulu series and has led it since 2021. No salary has been reported by the trades, so this books a modeled fee for a flagship streaming half-hour across the seasons that aired. His creator and writing credits are likely worth more again and are not counted here. (variety.com) | $20,000,000 |
| Touring with Martin Short (modeled) The two-hander show has toured since 2015. Pollstar put the 2022 dates near $400,000 a night, with two nights at the Beacon taking $841,543. Those are venue grosses that the promoter, the hall and Short all draw from, so this books a modeled performer share rather than the gate. (pollstar.com) | $23,500,000 |
| Hotel Window by Edward Hopper, sold at Sotheby's (modeled net) He is a serious collector, and the Hopper is the one trade with a hard number on it: Sotheby's sold it out of his collection in November 2006 for $26,896,000, a record for the artist and past the $10M to $15M estimate. What he paid for it has never been published, so this books the sale net of a modeled purchase cost and the auction commission rather than the full hammer price. (sothebys.com) | $14,000,000 |
| 储蓄投资回报 mixed portfolio: 55% actual 60/40 securities returns (taxed) + 45% US long-run home-price rate on the rest | $295,051,996 |
| Beverly Hills house appreciation, estimated documented $3,175,000 purchase in 1995 (bought in 1995 for $3,175,000, with the lot next door added in 1997), 6.0%/yr US-CA appreciation, net 7% selling costs; the purchase itself is already counted in savings (variety.com) | $14,801,639 |
| Expenses | |
| 代表费 代理人10%+律师5% | -$58,532,856 |
| Taxes 美国-加拿大有效利率,逐年 | -$153,778,422 |
| 个人消费 measured household savings rates by income, times a 88% entertainment-household factor | -$98,161,728 |
| 估计净资产 | $389,599,667 |
电影接电影
| Film | Year | Role | Budget | 票房 | 工资已计算 |
|---|---|---|---|---|---|
| Lorne no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2026 | Lead | – | $449,135 | $3,000,000 |
| John Candy: I Like Me no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2025 | Lead | – | – | $3,000,000 |
| Saturday Night Live 50th Anniversary Special no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2025 | Supporting | – | – | $3,000,000 |
| Steve! (Martin): A Documentary in 2 Pieces no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2024 | Supporting | – | – | $3,000,000 |
| Gutenberg! The Musical! no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2023 | Supporting | – | – | $3,000,000 |
| Cruel Shoes no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2020 | Supporting | – | – | $3,000,000 |
| Father of the Bride Part 3(ish) no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2020 | Lead | – | – | $3,000,000 |
| An Evening You Will Forget for the Rest of Your Life no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $3,000,000 |
| 只有大楼里的谋杀案 no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $3,000,000 |
| The American Epic Sessions no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2017 | Supporting | – | – | $600,000 |
| Billy Lynn's Long Halftime Walk no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $6.0M | 2016 | Lead | $40,000,000 | $31,000,000 | $6,000,000 |
| Maya & Marty no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2016 | Supporting | – | – | $600,000 |
| Meteor Shower no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2016 | Lead | – | – | $3,000,000 |
| Oh, Hello on Broadway no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2016 | Supporting | – | – | $600,000 |
| 家 no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2010s/tentpole (n=12) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2015 | Supporting | $135,000,000 | $386,000,000 | $2,400,000 |
| Love the Coopers no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2015 | Supporting | $17,000,000 | $42,400,000 | $600,000 |
| Bright Star no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2014 | Lead | – | – | $3,000,000 |
| The Big Year no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $6.2M | 2011 | Lead | $41,000,000 | $7,400,000 | $6,150,000 |
| It's Complicated no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $12.0M | 2009 | Lead | $80,000,000 | $219,000,000 | $12,000,000 |
| The Pink Panther 2 no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $10.5M | 2009 | Lead | $70,000,000 | $76,000,000 | $10,500,000 |
| 30 摇滚 no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2008 | Lead | – | – | $3,000,000 |
| Baby Mama no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $4.5M | 2008 | Lead | $30,000,000 | $64,400,000 | $4,500,000 |
| Traitor no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.3M | 2008 | Lead | $22,000,000 | $27,600,000 | $3,300,000 |
| The Pink Panther no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $12.0M | 2006 | Lead | $80,000,000 | $164,100,000 | $12,000,000 |
| Cheaper by the Dozen 2 no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $9.0M | 2005 | Lead | $60,000,000 | $135,000,000 | $9,000,000 |
| Disneyland: The First 50 Magical Years no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2005 | Supporting | – | – | $2,250,000 |
| Shopgirl no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $1.8M | 2005 | Lead | $11,700,000 | $11,700,000 | $1,755,000 |
| Jiminy Glick in Lalawood no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2004 | Supporting | – | $36,039 | $2,250,000 |
| Bringing Down the House no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.0M | 2003 | Lead | $33,000,000 | $164,700,000 | $4,949,999 |
| Cheaper by the Dozen no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $6.0M | 2003 | Lead | $40,000,000 | $190,500,000 | $5,999,999 |
| Looney Tunes: Back in Action no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $12.0M | 2003 | Lead | $80,000,000 | $68,500,000 | $11,999,999 |
| Eugene O'Neill Theatre no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2002 | Lead | – | – | $2,999,999 |
| The Elephant Man no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $0.8M | 2002 | Lead | $5,000,000 | $26,010,864 | $750,000 |
| Novocaine no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $2.7M | 2001 | Lead | $18,000,000 | $2,500,000 | $2,699,999 |
| Joe Gould's Secret no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2000 | Supporting | – | $468,684 | $2,249,999 |
| Bowfinger no disclosed fee: modeled on the $14.6M shrunk median for 1990s/large (n=3), capped at $8.2M | 1999 | Lead | $55,000,000 | $98,625,775 | $8,249,987 |
| Fantasia 2000 no disclosed fee: post-breakthrough supporting at 12.0% of the $14.6M shrunk median for 1990s/large (n=3) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 1999 | Supporting | $82,500,000 | $90,900,000 | $1,751,998 |
| The Out-of-Towners no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $6.0M | 1999 | Lead | $40,000,000 | $28,000,000 | $5,999,991 |
| The Venice Project no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1999 | Supporting | – | – | $1,199,998 |
| The Prince of Egypt no disclosed fee: post-breakthrough supporting at 12.0% of the $14.6M shrunk median for 1990s/large (n=3) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 1998 | Supporting | $80,000,000 | $218,000,000 | $1,751,996 |
| The Simpsons no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1998 | Supporting | – | – | $1,199,997 |
| The Spanish Prisoner no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.5M | 1997 | Lead | $10,000,000 | $13,800,000 | $1,499,992 |
| Sgt. Bilko no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $5.8M | 1996 | Lead | $39,000,000 | $37,956,793 | $5,849,934 |
| Father of the Bride Part II no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $6.0M | 1995 | Lead | $40,000,000 | $103,000,000 | $5,999,869 |
| A Simple Twist of Fate no disclosed fee: modeled on the $2.0M median for its era and nearest band (small), capped at $0.5M | 1994 | Lead | $3,430,583 | $3,430,583 | $514,566 |
| Mixed Nuts no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $2.2M | 1994 | Lead | $15,000,000 | $6,800,000 | $2,249,909 |
| And the Band Played On no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1993 | Supporting | – | – | $1,199,916 |
| Picasso at the Lapin Agile no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1993 | Lead | – | – | $2,999,757 |
| Housesitter no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $3.9M | 1992 | Lead | $26,000,000 | $94,900,000 | $3,899,390 |
| Leap of Faith no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $3.0M | 1992 | Lead | $20,000,000 | $23,400,000 | $2,999,545 |
| Father of the Bride no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $3.0M | 1991 | Lead | $20,000,000 | $129,000,000 | $2,999,114 |
| Grand Canyon no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $6.1M | 1991 | Lead | $40,991,329 | $40,991,329 | $6,146,758 |
| L.A. Story no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $4.3M | 1991 | Lead | $28,900,000 | $28,900,000 | $4,333,667 |
| My Blue Heaven no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1990 | Lead | – | $23,600,000 | $2,998,204 |
| Parenthood no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.0M | 1989 | Lead | $20,000,000 | $126,000,000 | $2,996,388 |
| Dirty Rotten Scoundrels no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.0M | 1988 | Lead | $6,500,000 | $42,000,000 | $972,844 |
| Waiting for Godot no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1988 | Lead | – | – | $2,992,837 |
| Planes, Trains and Automobiles no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $2.2M | 1987 | Lead | $15,000,000 | $49,530,280 | $2,239,685 |
| Roxanne no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.8M | 1987 | Lead | $12,000,000 | $40,100,000 | $1,791,847 |
| The Tracey Ullman Show no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1987 | Lead | – | – | $2,986,081 |
| Leo & Liz in Beverly Hills no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1986 | Lead | – | – | $2,973,013 |
| Little Shop of Horrors no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.8M | 1986 | Lead | $25,000,000 | $39,032,786 | $3,716,540 |
| ¡Three Amigos! no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.8M | 1986 | Lead | $25,000,000 | $39,200,000 | $3,716,540 |
| George Burns Comedy Week no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1985 | Lead | – | – | $2,947,896 |
| Movers & Shakers no disclosed fee: post-breakthrough supporting at 12.0% of the $2.8M median for its era and nearest band (small) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 1985 | Supporting | $3,500,000 | $372,438 | $325,301 |
| All of Me no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $5.5M | 1984 | Lead | $36,403,064 | $36,403,064 | $5,277,827 |
| Domestic Life no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1984 | Lead | – | – | $2,900,217 |
| The Lonely Guy no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $0.9M | 1984 | Lead | $5,718,573 | $5,718,573 | $831,792 |
| The Man with Two Brains no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.5M | 1983 | Lead | $10,000,000 | $10,000,000 | $1,409,246 |
| Dead Men Don't Wear Plaid no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.4M | 1982 | Lead | $9,000,000 | $18,196,170 | $1,201,369 |
| Twilight Theater no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1982 | Lead | – | – | $2,654,684 |
| Pennies from Heaven soft-breakthrough blend (w=0.79): no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.3M vs early terms | 1981 | Lead | $22,000,000 | $9,100,000 | $2,644,622 |
| Steve Martin's Best Show Ever soft-breakthrough blend (w=0.79): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1981 | Lead | – | – | $2,395,687 |
| All Commercials... A Steve Martin Special soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1980 | Lead | – | – | $2,017,254 |
| Steve Martin: Comedy Is Not Pretty soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1980 | Lead | – | – | $2,017,254 |
| Steve Martin: Homage to Steve soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1979 | Lead | – | – | $1,551,562 |
| The Jerk soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M vs early terms | 1979 | Lead | $4,000,000 | $100,000,000 | $334,375 |
| The Kids Are Alright soft-breakthrough supporting blend (w=0.50) | 1979 | Supporting | $2,000,000 | $1,500,000 | $184,375 |
| The Muppet Movie soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.2M vs early terms | 1979 | Lead | $8,000,000 | $65,810,475 | $651,562 |
| Sgt. Pepper's Lonely Hearts Club Band soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $2.7M vs early terms | 1978 | Lead | $18,000,000 | $11,000,000 | $984,098 |
| Steve Martin: A Wild and Crazy Guy soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1978 | Lead | – | – | $1,085,871 |
| The Carol Burnett Show soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1978 | Lead | – | – | $1,085,871 |
| The Absent-Minded Waiter soft-breakthrough blend (w=0.21): no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms vs early terms | 1977 | Lead | – | – | $707,438 |
| The Muppet Show soft-breakthrough supporting blend (w=0.21) | 1977 | Supporting | – | – | $184,873 |
| Doc no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.12 | 1976 | Lead | – | – | $448,441 |
| Saturday Night Live no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1976 | Supporting | – | – | $149,838 |
| Steve Martin: On Location with Steve Martin no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1976 | Supporting | – | – | $149,838 |
| The Funnier Side of Eastern Canada no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.03 | 1974 | Lead | – | – | $202,908 |
| The Midnight Special no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1973 | Supporting | – | – | $110,173 |
| Another Nice Mess no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.01 | 1972 | Lead | – | – | $130,112 |
| The Ray Stevens Show no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1970 | Supporting | – | – | $104,094 |
| The Sonny & Cher Comedy Hour no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1970 | Lead | – | – | $110,288 |
| Off to See the Wizard no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1967 | Lead | – | – | $104,096 |
| The Smothers Brothers Comedy Hour no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1967 | Supporting | – | – | $103,256 |
| Dusty's Attic no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1966 | Lead | – | – | $103,624 |
建模人物如何工作。 An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our 方法页.
净资产 Over Time
每年年底的余额模型,与下表相匹配。
逐年
| Year | Income | 代表费 | 税率 | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $2,118,873 | $317,831 | 45% | $546,004 | $444,569 | $389,599,667 |
| 2025 | $12,210,104 | $1,831,516 | 45% | $3,146,373 | $2,561,851 | $366,923,262 |
| 2024 | $10,980,104 | $1,647,016 | 45% | $2,829,419 | $2,303,779 | $339,622,937 |
| 2023 | $10,080,104 | $1,512,016 | 45% | $2,597,502 | $2,114,947 | $312,343,110 |
| 2022 | $7,985,204 | $1,197,781 | 45% | $2,057,675 | $1,675,408 | $284,740,604 |
| 2021 | $5,089,599 | $763,440 | 45% | $1,311,518 | $1,067,869 | $303,762,022 |
| 2020 | $4,789,599 | $718,440 | 45% | $1,234,213 | $1,004,925 | $279,187,024 |
| 2019 | $4,564,829 | $684,724 | 45% | $1,176,293 | $957,765 | $258,941,695 |
| 2018 | $7,049,477 | $1,057,422 | 45% | $1,816,552 | $1,479,079 | $233,171,456 |
| 2017 | $5,039,477 | $755,922 | 47% | $1,251,381 | $1,018,904 | $230,347,150 |
| 2016 | $10,263,539 | $1,539,531 | 47% | $2,548,597 | $2,075,127 | $213,107,861 |
| 2015 | $5,583,989 | $837,598 | 47% | $1,386,592 | $1,128,995 | $200,606,416 |
| 2014 | $3,423,994 | $513,599 | 47% | $850,231 | $692,278 | $194,746,540 |
| 2013 | $1,575,672 | $236,351 | 47% | $391,264 | $318,576 | $182,887,171 |
| 2012 | $691,122 | $103,668 | 43% | $225,822 | $109,027 | $167,191,109 |
| 2011 | $5,294,409 | $794,161 | 43% | $1,413,906 | $1,151,235 | $156,622,811 |
| 2010 | $2,958,409 | $443,761 | 43% | $790,062 | $643,287 | $149,722,242 |
| 2009 | $16,746,485 | $2,511,973 | 43% | $4,472,256 | $3,641,416 | $139,547,021 |
| 2008 | $15,179,579 | $2,276,937 | 43% | $4,053,804 | $3,300,702 | $124,054,521 |
| 2007 | $4,143,625 | $621,544 | 43% | $1,106,582 | $901,005 | $132,740,265 |
| 2006 | $23,228,696 | $3,484,304 | 43% | $6,203,372 | $5,050,931 | $126,122,143 |
| 2005 | $13,701,353 | $2,055,203 | 43% | $3,659,034 | $2,979,271 | $113,522,931 |
| 2004 | $6,357,200 | $953,580 | 43% | $1,697,731 | $1,382,332 | $106,659,134 |
| 2003 | $17,399,020 | $2,609,853 | 43% | $4,646,520 | $3,783,306 | $99,852,560 |
| 2002 | $9,831,179 | $1,474,677 | 46% | $2,487,296 | $2,025,215 | $87,494,270 |
| 2001 | $3,556,976 | $533,546 | 46% | $899,918 | $732,734 | $88,124,238 |
| 2000 | $2,910,926 | $436,639 | 46% | $736,467 | $599,648 | $87,429,098 |
| 1999 | $13,263,338 | $1,989,501 | 46% | $3,355,635 | $2,732,237 | $85,479,304 |
| 1998 | $7,816,802 | $1,172,520 | 46% | $1,977,657 | $1,610,255 | $77,262,402 |
| 1997 | $2,525,614 | $378,842 | 46% | $638,982 | $520,274 | $68,444,435 |
| 1996 | $5,148,310 | $772,246 | 46% | $1,302,527 | $1,060,548 | $60,714,062 |
| 1995 | $6,497,118 | $974,568 | 46% | $1,643,776 | $1,338,401 | $55,291,794 |
| 1994 | $4,311,888 | $646,783 | 46% | $1,090,911 | $888,245 | $47,514,302 |
| 1993 | $4,701,415 | $705,212 | 46% | $1,189,462 | $968,488 | $45,794,430 |
| 1992 | $6,836,092 | $1,025,414 | 36% | $2,049,821 | $1,669,013 | $42,346,251 |
| 1991 | $12,147,419 | $1,822,113 | 36% | $3,642,438 | $2,965,758 | $38,768,269 |
| 1990 | $6,610,460 | $991,569 | 36% | $1,982,165 | $1,613,925 | $32,102,159 |
| 1989 | $3,556,070 | $533,410 | 36% | $1,066,297 | $868,204 | $29,690,394 |
| 1988 | $4,166,845 | $625,027 | 36% | $1,249,440 | $1,017,324 | $25,829,910 |
| 1987 | $6,647,863 | $997,179 | 45% | $1,713,061 | $1,394,815 | $23,172,831 |
| 1986 | $10,140,401 | $1,521,060 | 55% | $2,137,941 | $1,740,762 | $21,008,830 |
| 1985 | $6,619,198 | $992,880 | 55% | $1,395,552 | $1,136,291 | $17,727,651 |
| 1984 | $8,263,534 | $1,239,530 | 55% | $1,742,234 | $1,418,568 | $14,714,026 |
| 1983 | $3,865,167 | $579,775 | 55% | $814,909 | $663,518 | $12,565,919 |
| 1982 | $7,351,736 | $1,102,760 | 55% | $1,549,996 | $1,262,043 | $11,666,161 |
| 1981 | $10,635,067 | $1,595,260 | 55% | $2,242,234 | $1,825,679 | $10,197,617 |
| 1980 | $12,936,283 | $1,940,442 | 55% | $2,727,408 | $2,220,720 | $8,205,770 |
| 1979 | $15,466,993 | $2,320,049 | 55% | $3,260,968 | $2,655,157 | $5,866,259 |
| 1978 | $9,351,151 | $1,402,673 | 55% | $1,971,541 | $1,605,275 | $3,147,368 |
| 1977 | $3,746,870 | $562,031 | 55% | $789,968 | $643,210 | $1,511,485 |
| 1976 | $1,116,875 | $167,531 | 55% | $235,475 | $191,729 | $851,041 |
| 1975 | $224,435 | $33,665 | 55% | $57,895 | $27,952 | $646,226 |
| 1974 | $292,036 | $43,805 | 55% | $75,333 | $36,371 | $606,003 |
| 1973 | $362,994 | $54,449 | 55% | $76,531 | $62,314 | $558,326 |
| 1972 | $611,631 | $91,745 | 55% | $128,953 | $104,996 | $486,167 |
| 1971 | $526,534 | $78,980 | 55% | $111,011 | $90,388 | $373,606 |
| 1970 | $675,067 | $101,260 | 54% | $145,490 | $118,461 | $277,596 |
| 1969 | $251,815 | $37,772 | 54% | $66,401 | $32,058 | $155,977 |
| 1968 | $187,500 | $28,125 | 54% | $49,442 | $23,871 | $121,459 |
| 1967 | $357,353 | $53,603 | 54% | $77,016 | $62,709 | $95,651 |
| 1966 | $253,624 | $38,044 | 54% | $66,878 | $32,289 | $32,289 |
Model Notes
- RESIDENCE PROXY: Beverly Hills base since 1995, with a New York apartment
- salary comps: 2 disclosed lead fee(s) flagged as non-market outliers (scale / far-below-quote) and excluded from era medians
- 图片来源: Wikimedia Commons via Wikipedia (Steve Martin)
方法论
We rebuild Steve’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
完整的模型、每个费率表以及我们的估算如何与实际交易进行核对的信息均位于 方法页.
Frequently Asked Questions
What is Steve Martin's net worth in 2026?
As of 2026, Steve Martin's net worth is an estimated $389.6 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Steve Martin make money?
电影工资和记录的后端参与。
How is Steve Martin's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Steve actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Steve Martin make per film?
它因角色和时代而异,上面的逐部电影表格列出了每部电影的片酬。披露的发薪日按报告输入。未公开的角色是根据同等演员在同一时代和预算范围内的收入来建模的,突破后的主角收入最高,配角或早期角色只占其中的一小部分。
为什么税率那么高,演员不跟外贷公司避税吗?
Tax comes out at the effective rate for where Steve lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
为什么这个数字与其他净值网站不同?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the 方法页 lists every source.
这个估计有多准确?
对于个人的净资产没有准确的估计;这是根据公共数据构建的模型。不同之处在于您可以看到它是如何构建的并检查每一步。计算顶部附近的置信度显示了该数字有多少是基于披露的数字,以及数字依赖于假设的页面标记。
Is Steve Martin rich compared to the average person?
Yes. A net worth of $389.6 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
What is Steve Martin's biggest source of wealth?
On this page it is film salaries, the largest line in the calculation at $228.6 Million. The full breakdown, with every other line and its source, is above.
How much does Steve Martin make from endorsements?
The model counts $16.0 Million in career endorsement income for Steve: 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years. It is an estimate, since the individual deal values are not all public, and it sits as its own line in the calculation above.
探索其他演员
关于NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” 或者 “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. 了解更多关于NetWorth Explained的信息.