Chris Rock Patrimoine net 2026
Dernière mise à jour August 3, 2026
As of 2026, Chris Rock has an estimated net worth of $165.6 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Salaires divulgués et backend documenté, chacun avec une citation
- Rôles non divulgués modélisés à partir de comparables divulgués pour leur époque, leur tranche budgétaire et leur étape de carrière
- Backend, avenants et crédits de production estimés à partir des médianes divulguées
Fast Facts
| Birthdate | n / A |
|---|---|
| Birthplace | n / A |
| Breakthrough | career breakthrough modeled at 1996 |
| Best Known | Saturday Night Live |
Who Is Chris Rock?
Chris Rock is best known for Saturday Night Live. The earnings behind Chris's net worth come from film salaries, backend participation, and endorsement deals.
The model tracks Chris's earning years from 1985 to 2026, with the biggest single year in 1998 at about $16.7 Million of gross income. After representation fees, taxes, and living costs, what stays invested compounds at market returns into an estimated $165.6 Million today.
Data
Chaque ligne ci-dessous est calculée à partir des données publiques et des tableaux de tarifs publiés sur notre page méthodologie. Confiance: Catégorie C. Les chiffres documentés ne couvrent qu’une petite partie de ce chiffre, de sorte que la majeure partie est modélisée à partir de taux publiés et de comparables (les notes vont de A, principalement documentées, à C, principalement modélisées).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (50 of 110 films) era and budget-band medians of disclosed lead salaries (winsorized, thin cells shrunk toward the era median), blended with this actor's disclosed quote history when available; soft breakthrough blend near the career break year | $190,676,312 |
| Film pay, modeled post-breakthrough supporting roles (42 of 110 films) 12.0% of lead cells: lane_benchmarks role/post_breakthrough_supporting_ratio | $73,940,546 |
| Film pay, modeled supporting and early roles (18 of 110 films) 2,5% des médianes de l'époque : le taux de pré-célébrité | $6,375,669 |
| Points back-end, estimés 12% of disclosed lead deals included points, at a median 2.6% of box office; expected value on 18 commercially viable undisclosed lead roles; cash spread over 3 years; 1 film(s) used band-specific box-office/budget multiples as a gross proxy | $4,803,158 |
| Approbations, estimées (1 partenariat de marque) 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years | $16,000,000 |
| Résidus, estimés SAG residual rates on post-theatrical receipts assumed at half of box office, split by role share and spread over the ten years after each release; 2 film(s) used band-specific box-office proxies | $17,925,210 |
| TV: Himself Host; television special; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| Retour sur investissement de l'épargne mixed portfolio: 55% actual 60/40 securities returns (taxed) + 45% US long-run home-price rate on the rest | $100,755,511 |
| Expenses | |
| Frais de représentation agent 10% + avocat 5% | -$46,385,168 |
| Taxes Taux effectifs US-CA, année par année | -$117,975,618 |
| Dépenses personnelles measured household savings rates by income, times a 88% entertainment-household factor | -$80,011,932 |
| Valeur nette estimée | $165,617,247 |
Film par film
| Film | Year | Role | Budget | Billetterie | Salaire compté |
|---|---|---|---|---|---|
| Lorne no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2026 | Lead | – | $449,135 | $3,000,000 |
| To be announced no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2026 | Lead | – | – | $3,000,000 |
| Being Eddie no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2025 | Supporting | – | – | $3,000,000 |
| The Simpsons no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2025 | Supporting | – | – | $3,000,000 |
| Everybody Still Hates Chris no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2024 | Supporting | – | – | $3,000,000 |
| Chris Rock: Selective Outrage no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2023 | Lead | – | – | $3,000,000 |
| Paw Patrol: The Mighty Movie no disclosed fee: post-breakthrough supporting at 12.0% of the $21.7M shrunk median for 2020s/mid (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2023 | Supporting | $30,000,000 | $205,000,000 | $2,600,000 |
| Rustin no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2023 | Lead | – | – | $3,000,000 |
| Amsterdam no disclosed fee: modeled on the $23.8M shrunk median for 2020s/large (n=2), capped at $12.0M | 2022 | Lead | $80,000,000 | $31,200,000 | $12,000,000 |
| Bad Trip no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2021 | Lead | – | – | $3,000,000 |
| Spiral no disclosed fee: modeled on the $21.7M shrunk median for 2020s/mid (n=1), capped at $3.0M | 2021 | Lead | $20,000,000 | $40,600,000 | $3,000,000 |
| The One and Only Dick Gregory no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2021 | Supporting | – | – | $3,000,000 |
| Fargo no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid), capped at $1.1M | 2020 | Lead | $7,000,000 | $60,611,975 | $1,050,000 |
| The Comedy Store no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2020 | Supporting | – | – | $3,000,000 |
| The Witches no disclosed fee: post-breakthrough supporting at 12.0% of the $16.4M shrunk median for 2020s/tentpole (n=5) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2020 | Supporting | $100,000,000 | $26,900,000 | $1,971,428 |
| Dolemite Is My Name no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2019 | Lead | – | – | $2,999,999 |
| Old Town Road no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2019 | Lead | – | – | $2,999,999 |
| Chris Rock: Tamborine no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Kevin Can Wait no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Nobody's Fool no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2018 | Supporting | $19,000,000 | $33,700,000 | $600,000 |
| The Week Of no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Sandy Wexler no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $3.6M | 2017 | Lead | $24,300,000 | – | $3,644,997 |
| A Very Murray Christmas no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Amy Schumer: Live at the Apollo no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| Bitch I'm Madonna no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| Broad City no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Empire no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| The Eric Andre Show no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| The Jim Gaffigan Show no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Top Five no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid), capped at $1.8M | 2014 | Lead | $12,000,000 | $26,100,000 | $1,799,990 |
| A.N.T. Farm no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| Comedians in Cars Getting Coffee no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| Grown Ups 2 no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $12.0M | 2013 | Lead | $80,000,000 | $247,000,000 | $11,999,862 |
| Madly Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2013 | Supporting | – | – | $599,994 |
| Real Husbands of Hollywood no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| 2 Days in New York no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid), capped at $1.3M | 2012 | Lead | $8,800,000 | $4,099,999 | $1,319,972 |
| Madagascar 3: Europe's Most Wanted no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2010s/tentpole (n=12) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2012 | Supporting | $145,000,000 | $746,900,000 | $2,399,956 |
| Tosh.0 no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2012 | Lead | – | – | $2,999,933 |
| What to Expect When You're Expecting no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $5.2M | 2012 | Lead | $35,000,000 | $84,400,000 | $5,249,884 |
| The Motherfucker with the Hat no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2011 | Lead | – | – | $2,999,869 |
| Death at a Funeral no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $3.1M | 2010 | Lead | $21,000,000 | $49,100,000 | $3,149,746 |
| Grown Ups no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $11.2M | 2010 | Lead | $75,000,000 | $271,400,000 | $11,249,049 |
| Good Hair no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | $4,000,000 | $2,249,693 |
| Louie no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Merry Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Why We Laugh: Black Comedians on Black Comedy no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Chris Rock: Kill the Messenger no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2008 | Supporting | – | – | $2,249,403 |
| Madagascar: Escape 2 Africa no disclosed fee: post-breakthrough supporting at 12.0% of the $11.8M shrunk median for 2000s/tentpole (n=9) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2008 | Supporting | $150,000,000 | $603,900,000 | $1,417,805 |
| You Don't Mess with the Zohan no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2008 | Supporting | $90,000,000 | $204,000,000 | $2,399,363 |
| Bee Movie no disclosed fee: post-breakthrough supporting at 12.0% of the $11.8M shrunk median for 2000s/tentpole (n=9) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2007 | Supporting | $150,000,000 | $293,500,000 | $1,417,449 |
| Hump de Bump no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2007 | Supporting | – | – | $2,248,837 |
| I Think I Love My Wife no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $1.6M | 2007 | Lead | $11,000,000 | $13,196,245 | $1,649,229 |
| Mr. Warmth: The Don Rickles Project no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio), capped at 15% of budget | 2007 | Supporting | $500,000 | – | $75,000 |
| Everybody Hates Chris no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2005 | Supporting | – | – | $2,245,596 |
| Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2005 | Supporting | $75,000,000 | $558,000,000 | $2,395,302 |
| The Aristocrats no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2005 | Supporting | – | $6,400,000 | $2,245,596 |
| The Longest Yard no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $12.3M | 2005 | Lead | $82,000,000 | $191,500,000 | $12,270,823 |
| Chris Rock: Never Scared no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2004 | Lead | – | – | $2,987,838 |
| Paparazzi no disclosed fee: post-breakthrough supporting at 12.0% of the $19.4M shrunk median for 2000s/mid (n=2) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2004 | Supporting | $20,000,000 | $16,000,000 | $2,316,156 |
| The N-Word no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2004 | Supporting | – | – | $2,241,442 |
| Head of State no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.2M | 2003 | Lead | $35,000,000 | $38,600,000 | $5,205,604 |
| Pauly Shore Is Dead no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2003 | Supporting | – | $11,000 | $2,233,406 |
| The Bernie Mac Show no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2003 | Lead | – | – | $2,976,419 |
| Bad Company no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $10.5M | 2002 | Lead | $70,000,000 | $66,000,000 | $10,320,138 |
| Comedian no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2002 | Supporting | – | $2,751,988 | $2,217,962 |
| A.I. Artificial Intelligence no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2001 | Supporting | $95,000,000 | $235,900,000 | $2,334,554 |
| Down to Earth no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.9M | 2001 | Lead | $39,500,000 | $71,200,000 | $5,737,597 |
| Jay and Silent Bob Strike Back no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.3M | 2001 | Lead | $22,000,000 | $33,800,000 | $3,203,015 |
| Osmosis Jones no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2001 | Supporting | $70,000,000 | $14,000,000 | $2,334,554 |
| Pootie Tang no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $1.1M | 2001 | Lead | $7,000,000 | $3,300,000 | $1,029,979 |
| DAG no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2000 | Lead | – | – | $2,835,547 |
| Nurse Betty no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.8M | 2000 | Lead | $25,000,000 | $29,400,000 | $3,537,835 |
| Chris Rock: Bigger & Blacker no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1999 | Lead | – | – | $2,672,192 |
| Dogma no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.5M | 1999 | Lead | $10,000,000 | $45,000,000 | $1,350,996 |
| Jackie's Back no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1999 | Supporting | – | – | $1,086,757 |
| No Sex (In the Champagne Room) no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1999 | Lead | – | – | $2,672,192 |
| Torrance Rises no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1999 | Supporting | – | – | $1,086,757 |
| Dr. Dolittle soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | $71,500,000 | $294,400,000 | $1,462,660 |
| Roi de la Colline soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | – | – | $1,001,822 |
| Lethal Weapon 4 soft-breakthrough blend (w=0.79): no disclosed fee: modeled on the $12.8M shrunk median for 1990s/tentpole (n=1) vs early terms | 1998 | Lead | $125,000,000 | $285,400,000 | $10,223,119 |
| Mr. Show with Bob and David soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | – | – | $1,001,822 |
| "Champagne" soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1997 | Lead | – | – | $2,067,080 |
| Beverly Hills Ninja soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $2.7M vs early terms | 1997 | Lead | $18,000,000 | $37,900,000 | $1,868,853 |
| Happily Ever After: Fairy Tales for Every Child soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| Howard Stern soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| The Chris Rock Show soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| Chris Rock: Bring the Pain soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Homicide: Life on the Street soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Martin soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Politically Incorrect soft-breakthrough supporting blend (w=0.50) | 1996 | Supporting | – | – | $725,000 |
| Saturday Night Live soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Sgt. Bilko soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $5.8M vs early terms | 1996 | Lead | $39,000,000 | $37,956,793 | $3,104,688 |
| Panther soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.1M vs early terms | 1995 | Lead | $7,500,000 | $8,000,000 | $546,838 |
| The Fresh Prince of Bel-Air soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1995 | Lead | – | – | $1,182,920 |
| The Immortals soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1995 | Lead | – | – | $1,182,920 |
| The Moxy Show soft-breakthrough supporting blend (w=0.34) | 1995 | Supporting | – | – | $572,281 |
| HBO Comedy Half-Hour soft-breakthrough supporting blend (w=0.21) | 1994 | Supporting | – | – | $448,178 |
| CB4 no disclosed fee: 2.5% of the $10.0M shrunk median for 1990s/small (n=1) (pre-stardom rate); soft-breakthrough weight 0.12 | 1993 | Lead | $6,000,000 | $17,900,000 | $327,482 |
| Boomerang no disclosed fee: 2.5% of the $14.4M shrunk median for 1990s/mid (n=6) (pre-stardom rate); soft-breakthrough weight 0.06 | 1992 | Lead | $42,000,000 | $131,000,000 | $745,332 |
| New Jack City no disclosed fee: 2.5% of the $10.0M shrunk median for 1990s/small (n=1) (pre-stardom rate); soft-breakthrough weight 0.03 | 1991 | Lead | $8,000,000 | $47,600,000 | $282,723 |
| Rob Base no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.01 | 1989 | Lead | – | – | $130,112 |
| Smooth Operator (Big Daddy Kane song) no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1989 | Supporting | – | – | $106,776 |
| Who Is Chris Rock? no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1989 | Supporting | – | – | $106,776 |
| Comedy's Dirtiest Dozen no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1988 | Supporting | – | – | $105,008 |
| I'm Gonna Git You Sucka no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate); soft-breakthrough weight 0.00 | 1988 | Lead | $3,000,000 | $13,000,000 | $70,582 |
| Beverly Hills Cop II no disclosed fee: 2.5% of the $6.3M shrunk median for pre1990/mid (n=4) (pre-stardom rate); soft-breakthrough weight 0.00 | 1987 | Lead | $27,000,000 | $300,000,000 | $167,956 |
| In Living Color no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Deux flics à Miami no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Saturday Night Live no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Krush Groove no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate) | 1985 | Supporting | $3,000,000 | $11,000,000 | $68,921 |
Comment fonctionnent les figures modélisées. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our page méthodologie.
Patrimoine net Over Time
Solde modélisé à la fin de chaque année, correspondant au tableau année par année ci-dessous.
Année par année
| Year | Income | Frais de représentation | Taux d'imposition | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $4,342,574 | $651,386 | 45% | $1,119,021 | $911,133 | $165,617,247 |
| 2025 | $6,142,116 | $921,317 | 45% | $1,582,737 | $1,288,702 | $161,437,015 |
| 2024 | $4,057,619 | $608,643 | 45% | $1,045,592 | $851,345 | $149,274,974 |
| 2023 | $7,236,270 | $1,085,440 | 45% | $1,864,685 | $1,518,271 | $137,433,931 |
| 2022 | $11,499,745 | $1,724,962 | 45% | $2,963,323 | $2,412,807 | $124,749,175 |
| 2021 | $10,395,628 | $1,559,344 | 45% | $2,678,808 | $2,181,148 | $131,281,213 |
| 2020 | $7,519,675 | $1,127,951 | 45% | $1,937,715 | $1,577,733 | $119,074,195 |
| 2019 | $6,593,138 | $988,971 | 45% | $1,698,959 | $1,383,333 | $109,369,845 |
| 2018 | $9,218,192 | $1,382,729 | 45% | $2,375,399 | $1,934,106 | $97,600,546 |
| 2017 | $6,154,652 | $923,198 | 47% | $1,528,296 | $1,244,375 | $95,110,992 |
| 2016 | $1,799,959 | $269,994 | 47% | $446,958 | $363,924 | $87,227,432 |
| 2015 | $9,133,650 | $1,370,047 | 47% | $2,268,028 | $1,846,682 | $82,571,916 |
| 2014 | $5,906,630 | $885,994 | 47% | $1,466,708 | $1,194,228 | $78,810,725 |
| 2013 | $16,736,035 | $2,510,405 | 47% | $4,155,819 | $3,383,765 | $73,149,960 |
| 2012 | $15,889,480 | $2,383,422 | 43% | $4,243,387 | $3,455,066 | $63,889,890 |
| 2011 | $6,735,707 | $1,010,356 | 43% | $1,798,814 | $1,464,636 | $56,651,629 |
| 2010 | $11,851,079 | $1,777,662 | 43% | $3,164,907 | $2,576,941 | $53,146,179 |
| 2009 | $11,203,136 | $1,680,470 | 43% | $2,991,869 | $2,436,050 | $47,335,900 |
| 2008 | $7,626,171 | $1,143,926 | 43% | $2,036,618 | $1,658,262 | $40,984,545 |
| 2007 | $6,441,130 | $966,169 | 43% | $1,720,145 | $1,400,582 | $43,229,947 |
| 2006 | $2,474,026 | $371,104 | 43% | $660,704 | $537,961 | $40,015,464 |
| 2005 | $14,116,131 | $2,117,420 | 43% | $3,769,803 | $3,069,462 | $37,016,246 |
| 2004 | $11,537,183 | $1,730,577 | 43% | $3,081,078 | $2,508,687 | $32,753,887 |
| 2003 | $10,157,522 | $1,523,628 | 43% | $2,712,631 | $2,208,688 | $28,686,859 |
| 2002 | $12,533,210 | $1,879,982 | 46% | $3,170,912 | $2,581,831 | $24,114,772 |
| 2001 | $14,615,035 | $2,192,255 | 46% | $3,697,615 | $3,010,685 | $22,201,884 |
| 2000 | $9,625,819 | $1,443,873 | 46% | $2,435,340 | $1,982,911 | $19,199,454 |
| 1999 | $12,874,731 | $1,931,210 | 46% | $3,257,317 | $2,652,184 | $16,948,836 |
| 1998 | $16,747,610 | $2,512,142 | 46% | $4,237,159 | $3,449,994 | $13,349,037 |
| 1997 | $13,073,827 | $1,961,074 | 46% | $3,307,689 | $2,693,198 | $8,955,917 |
| 1996 | $13,658,903 | $2,048,835 | 46% | $3,455,713 | $2,813,723 | $5,597,937 |
| 1995 | $5,842,605 | $876,391 | 46% | $1,478,184 | $1,203,572 | $2,580,639 |
| 1994 | $1,663,440 | $249,516 | 46% | $420,852 | $342,667 | $1,212,720 |
| 1993 | $657,285 | $98,593 | 46% | $203,462 | $98,232 | $854,534 |
| 1992 | $835,758 | $125,364 | 36% | $250,604 | $204,048 | $714,466 |
| 1991 | $609,012 | $91,352 | 36% | $182,614 | $148,689 | $486,464 |
| 1990 | $272,323 | $40,848 | 36% | $99,908 | $48,236 | $302,865 |
| 1989 | $428,070 | $64,211 | 36% | $157,048 | $75,823 | $247,966 |
| 1988 | $405,796 | $60,869 | 36% | $148,876 | $71,877 | $154,272 |
| 1987 | $403,435 | $60,515 | 45% | $127,196 | $61,410 | $76,949 |
| 1986 | $151,230 | $22,684 | 55% | $45,628 | $12,217 | $14,991 |
| 1985 | $68,921 | $10,338 | 55% | $23,810 | $2,552 | $2,552 |
Model Notes
- PROCURATION DE RÉSIDENCE : résidence non recherchée individuellement pour ce lot ; US-CA par défaut appliqué jusqu'à ce que documenté
- salary comps: 2 disclosed lead fee(s) flagged as non-market outliers (scale / far-below-quote) and excluded from era medians
- Crédit image : Wikimedia Commons via Wikipedia (Chris Rock)
Méthodologie
We rebuild Chris’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
Le modèle complet, chaque tableau de taux et la façon dont nos estimations ont été comparées aux offres réelles sont disponibles. page méthodologie.
Frequently Asked Questions
What is Chris Rock's net worth in 2026?
As of 2026, Chris Rock's net worth is an estimated $165.6 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Chris Rock make money?
Salaires des films et participation backend documentée.
How is Chris Rock's net worth calculated?
Les jours de paie divulgués sont saisis tels que rapportés, avec des citations. Les rôles principaux non divulgués utilisent la médiane des salaires divulgués pour leur époque et leur tranche budgétaire, plafonnés à 15 % du budget du film, et les rôles de soutien ou en début de carrière utilisent la fraction documentée de cette médiane avant la célébrité. Nous soustrayons les frais de représentation, les impôts pour les années où Chris a réellement travaillé et les dépenses du comportement d'épargne mesuré, puis nous composons les rendements réels du marché. Le backend, les avenants et les crédits de production non documentés entrent comme lignes estimées à partir des médianes divulguées. Chaque tarif et source est publié.
How much does Chris Rock make per film?
Cela varie selon le rôle et l'époque, et le tableau film par film ci-dessus répertorie les rémunérations comptabilisées pour chaque titre. Les jours de paie divulgués entrent tels que déclarés. Les rôles non divulgués sont calqués sur ce que des acteurs comparables ont gagné à la même époque et dans la même fourchette budgétaire, les rôles principaux après la percée gagnant le plus et les rôles de soutien ou les premiers rôles une fraction documentée de ce montant.
Pourquoi le taux d'imposition est-il si élevé et les acteurs ne l'évitent-ils pas en faisant appel à une société de prêt ?
L'impôt est calculé au taux effectif de l'endroit où Chris vivait chaque année, qui est le taux indiqué dans le tableau année par année. Dans un État à fiscalité élevée comme la Californie, l'impôt sur le revenu fédéral et celui de l'État combinés atteignent près de la moitié du revenu d'un haut revenu, de sorte que ces années se situent autour de 40 %. Une société de prêt, par laquelle de nombreux acteurs gèrent leurs revenus, ne réduit pas l’impôt sur l’argent qu’ils rapportent à la maison. Son véritable avantage réside dans la déduction des coûts professionnels tels que les honoraires d’agent, de gestionnaire et d’avocat, et le modèle les soustrait déjà sur une ligne distincte avant l’application de toute taxe. Les entreprises à revenus élevés ne bénéficient également pas de la déduction commerciale répercutée à laquelle les autres propriétaires d’entreprise peuvent prétendre, de sorte que cela ne leur permet pas de réduire les taux.
Pourquoi ce chiffre est-il différent de celui des autres sites à valeur nette ?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the page méthodologie lists every source.
Quelle est la précision de cette estimation ?
Aucune estimation de la valeur nette d’un particulier n’est exacte ; celui-ci est un modèle construit à partir de données publiques. La différence est que vous pouvez voir comment il a été construit et vérifier chaque étape. Le niveau de confiance situé en haut du calcul indique dans quelle mesure le chiffre repose sur des chiffres divulgués, et la page indique où un chiffre s'appuie sur une hypothèse.
Is Chris Rock rich compared to the average person?
Yes. A net worth of $165.6 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
What is Chris Rock's biggest source of wealth?
On this page it is film salaries, the largest line in the calculation at $190.7 Million. The full breakdown, with every other line and its source, is above.
How much does Chris Rock make from endorsements?
The model counts $16.0 Million in career endorsement income for Chris: 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years. It is an estimate, since the individual deal values are not all public, and it sits as its own line in the calculation above.
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À propos de NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” ou “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. En savoir plus sur NetWorth Explained.