Clint Eastwood Patrimoine net 2026
Dernière mise à jour August 3, 2026
As of 2026, Clint Eastwood has an estimated net worth of $474.1 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Salaires divulgués et backend documenté, chacun avec une citation
- Rôles non divulgués modélisés à partir de comparables divulgués pour leur époque, leur tranche budgétaire et leur étape de carrière
- Backend, avenants et crédits de production estimés à partir des médianes divulguées
Fast Facts
| Birthdate | n / A |
|---|---|
| Birthplace | n / A |
| Breakthrough | career breakthrough modeled at 1964 |
| Best Known | Dirty Harry (1971) |
Who Is Clint Eastwood?
Clint Eastwood is best known for Dirty Harry (1971). The earnings behind Clint's net worth come from film salaries, backend participation, endorsement deals, and the Pebble Beach Company stake.
The model tracks Clint's earning years from 1954 to 2026, with the biggest single year in 2008 at about $21.6 Million of gross income. After representation fees, taxes, and living costs, what stays invested compounds at market returns into an estimated $474.1 Million today.
Data
Chaque ligne ci-dessous est calculée à partir des données publiques et des tableaux de tarifs publiés sur notre page méthodologie. Confiance: Catégorie C. Les chiffres documentés ne couvrent qu’une petite partie de ce chiffre, de sorte que la majeure partie est modélisée à partir de taux publiés et de comparables (les notes vont de A, principalement documentées, à C, principalement modélisées).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (71 of 100 films) era and budget-band medians of disclosed lead salaries (winsorized, thin cells shrunk toward the era median), blended with this actor's disclosed quote history when available; soft breakthrough blend near the career break year | $240,332,670 |
| Film pay, modeled post-breakthrough supporting roles (8 of 100 films) 12.0% of lead cells: lane_benchmarks role/post_breakthrough_supporting_ratio | $7,759,392 |
| Film pay, modeled supporting and early roles (21 of 100 films) 2,5% des médianes de l'époque : le taux de pré-célébrité | $2,666,837 |
| Points back-end, estimés 12% of disclosed lead deals included points, at a median 2.6% of box office; expected value on 49 commercially viable undisclosed lead roles; cash spread over 3 years; 1 film(s) used band-specific box-office/budget multiples as a gross proxy | $11,168,682 |
| Approbations, estimées (1 partenariat de marque) 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years | $16,000,000 |
| Résidus, estimés SAG residual rates on post-theatrical receipts assumed at half of box office, split by role share and spread over the ten years after each release; 1 film(s) used band-specific box-office proxies | $24,721,535 |
| Directing and producing through Malpaso (modeled) He has directed more than 40 features since 1971 and released nearly all of them through Warner Bros, a relationship he has described as a fee against a percentage of the take. No per-film directing fee or participation rate has been published, so this books modeled income for the years he worked behind the camera. The film rows on this page price his on-screen work only. (deseret.com) | $158,900,000 |
| Retour sur investissement de l'épargne mixed portfolio: 55% actual 60/40 securities returns (taxed) + 45% US long-run home-price rate on the rest | $334,015,744 |
| Mission Ranch, Carmel-by-the-Sea (22 acres, runs as a hotel and restaurant) appreciation, estimated estimated $5,000,000 purchase in 1986 (reported at about $5M when he bought the ranch in 1986 to stop it being redeveloped; he restored it and still runs it), 6.0%/yr US-CA appreciation, net 7% selling costs; the purchase itself is already counted in savings (hollywoodreporter.com) | $42,828,588 |
| Pebble Beach Company stake equity, estimated he was one of four lead partners in the investor group that bought Pebble Beach for $820M in 1999, alongside Arnold Palmer, Peter Ueberroth and Richard Ferris; the group never disclosed how the equity was split; $2,000,000 x 100% stake (deseret.com) | $2,000,000 |
| Expenses | |
| Frais de représentation agent 10% + avocat 5% | -$69,128,007 |
| Taxes Taux effectifs US-CA, année par année | -$178,976,760 |
| Dépenses personnelles measured household savings rates by income, times a 88% entertainment-household factor | -$117,453,546 |
| Valeur nette estimée | $474,139,397 |
Film par film
| Film | Year | Role | Budget | Billetterie | Salaire compté |
|---|---|---|---|---|---|
| Juror #2 no disclosed fee: modeled on the $21.7M shrunk median for 2020s/mid (n=1), capped at $5.2M | 2024 | Lead | $35,000,000 | – | $5,250,000 |
| Cry Macho no disclosed fee: modeled on the $21.7M shrunk median for 2020s/mid (n=1), capped at $5.0M | 2021 | Lead | $33,000,000 | $16,500,000 | $4,950,000 |
| Richard Jewell (film) no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $6.8M | 2019 | Lead | $45,000,000 | $44,600,000 | $6,750,000 |
| The 15:17 to Paris no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $4.5M | 2018 | Lead | $30,000,000 | $57,100,000 | $4,500,000 |
| The Mule (2018 film) no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $7.5M | 2018 | Lead | $50,000,000 | $174,804,407 | $7,500,000 |
| Indian Horse (film) no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid), capped at $1.2M | 2017 | Lead | $8,000,000 | $2,000,000 | $1,200,000 |
| Sad Hill Unearthed no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2017 | Supporting | – | – | $600,000 |
| Sully no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $9.0M | 2016 | Lead | $60,000,000 | $240,800,000 | $9,000,000 |
| American Sniper no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2010s/large (n=8) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2014 | Supporting | $59,000,000 | $547,700,000 | $2,400,000 |
| Jersey Boys no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $6.0M | 2014 | Lead | $40,000,000 | $67,669,013 | $6,000,000 |
| Casting By no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2012 | Supporting | – | – | $600,000 |
| Trouble with the Curve no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $9.0M | 2012 | Lead | $60,000,000 | $49,000,000 | $9,000,000 |
| J. Edgar no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $5.2M | 2011 | Lead | $35,000,000 | $84,600,000 | $5,250,000 |
| Kurosawa's Way no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2011 | Supporting | – | – | $600,000 |
| Dave Brubeck: In His Own Sweet Way no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2010 | Lead | – | – | $3,000,000 |
| Hereafter no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $7.5M | 2010 | Lead | $50,000,000 | $107,000,000 | $7,500,000 |
| Invictus no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $8.2M | 2009 | Lead | $55,000,000 | $122,200,000 | $8,250,000 |
| Changeling no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $8.2M | 2008 | Lead | $55,000,000 | $113,398,237 | $8,250,000 |
| Gran Torino no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.0M | 2008 | Lead | $33,000,000 | $269,958,228 | $4,950,000 |
| Grace Is Gone no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $0.5M | 2007 | Lead | $3,000,000 | $1,100,000 | $450,000 |
| Flags of Our Fathers no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $13.5M | 2006 | Lead | $90,000,000 | $65,900,000 | $13,500,000 |
| Letters from Iwo Jima no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $2.9M | 2006 | Lead | $19,000,000 | $68,673,228 | $2,850,000 |
| Budd Boetticher: A Man Can Do no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2005 | Lead | – | – | $3,000,000 |
| Million Dollar Baby no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $4.5M | 2004 | Lead | $30,000,000 | $217,000,000 | $4,500,000 |
| Mystic River no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.8M | 2003 | Lead | $25,000,000 | $156,595,191 | $3,750,000 |
| The Blues (film series) no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2003 | Lead | – | – | $3,000,000 |
| Blood Work no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $7.5M | 2002 | Lead | $50,000,000 | $31,800,000 | $7,500,000 |
| Space Cowboys no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $9.4M | 2000 | Lead | $62,500,000 | $128,900,000 | $9,375,000 |
| True Crime no disclosed fee: modeled on the $14.6M shrunk median for 1990s/large (n=3), capped at $8.2M | 1999 | Lead | $55,000,000 | $16,600,000 | $8,250,000 |
| Absolute Power no disclosed fee: modeled on the $14.6M shrunk median for 1990s/large (n=3), capped at $7.5M | 1997 | Lead | $50,000,000 | $50,068,310 | $7,500,000 |
| Midnight in the Garden of Good and Evil no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $4.5M | 1997 | Lead | $30,000,000 | $25,100,000 | $4,500,000 |
| Casper no disclosed fee: post-breakthrough supporting at 12.0% of the $14.6M shrunk median for 1990s/large (n=3) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 1995 | Supporting | $55,000,000 | $290,000,000 | $1,752,000 |
| The Bridges of Madison County (film) no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $3.3M | 1995 | Lead | $22,000,000 | $182,000,000 | $3,300,000 |
| The Stars Fell on Henrietta no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.9M | 1995 | Lead | $13,000,000 | $99,318 | $1,950,000 |
| A Perfect World no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $4.5M | 1993 | Lead | $30,000,000 | $135,000,000 | $4,500,000 |
| In the Line of Fire no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $6.0M | 1993 | Lead | $40,000,000 | $176,997,168 | $6,000,000 |
| Unforgiven no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $2.2M | 1992 | Lead | $14,400,000 | $159,167,799 | $2,160,000 |
| Here's Looking at You, Warner Bros. no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1991 | Supporting | – | – | $1,200,000 |
| The Rookie (1990 film) no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $4.5M | 1990 | Lead | $30,000,000 | $21,633,874 | $4,500,000 |
| White Hunter Black Heart no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $3.6M | 1990 | Lead | $24,000,000 | $2,000,000 | $3,600,000 |
| Gary Cooper: American Life, American Legend no disclosed fee: post-breakthrough supporting at 12.0% of the $4.1M shrunk median for pre1990/small (n=2) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1989 | Supporting | – | – | $495,000 |
| Pink Cadillac no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $2.9M | 1989 | Lead | $19,000,000 | $12,100,000 | $2,850,000 |
| Bird no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.7M | 1988 | Lead | $11,500,000 | $2,000,000 | $1,725,000 |
| The Dead Pool no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $4.5M | 1988 | Lead | $30,000,000 | $39,000,000 | $4,500,000 |
| Thelonious Monk: Straight, No Chaser no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1988 | Lead | – | – | $3,000,000 |
| Heartbreak Ridge no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $2.2M | 1986 | Lead | $15,000,000 | $121,700,000 | $2,249,999 |
| Amazing Stories no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1985 | Lead | – | – | $2,999,998 |
| Pale Rider no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.0M | 1985 | Lead | $6,900,000 | $41,410,568 | $1,034,999 |
| City Heat no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.8M | 1984 | Lead | $25,000,000 | $38,300,000 | $3,749,994 |
| Tightrope no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1984 | Lead | $4,000,000 | $48,143,579 | $599,999 |
| Sudden Impact no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.3M | 1983 | Lead | $22,000,000 | $150,000,000 | $3,299,990 |
| Firefox no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.1M | 1982 | Lead | $21,000,000 | $46,700,000 | $3,149,982 |
| Honkytonk Man no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.3M | 1982 | Lead | $2,000,000 | $4,500,000 | $299,999 |
| Any Which Way You Can no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $2.2M | 1980 | Lead | $15,000,000 | $70,700,000 | $2,249,950 |
| Bronco Billy no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.0M | 1980 | Lead | $6,500,000 | $24,300,000 | $974,980 |
| Escape from Alcatraz no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.2M | 1979 | Lead | $8,000,000 | $43,005,351 | $1,199,950 |
| Every Which Way but Loose no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $0.8M | 1978 | Lead | $5,000,000 | $85,196,485 | $749,943 |
| The Gauntlet (film) no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $0.8M | 1977 | Lead | $5,500,000 | $35,400,000 | $824,876 |
| The Enforcer (1976 film) no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.4M | 1976 | Lead | $9,000,000 | $46,236,000 | $1,349,582 |
| The Outlaw Josey Wales no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1976 | Lead | $3,700,000 | $31,800,000 | $554,837 |
| The Eiger Sanction (film) no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.4M | 1975 | Lead | $9,000,000 | $14,200,000 | $1,349,186 |
| Thunderbolt and Lightfoot no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1974 | Lead | $4,000,000 | $21,700,000 | $599,325 |
| Breezy no disclosed fee: post-breakthrough supporting at 12.0% of the $2.8M median for its era and nearest band (small) (lane_benchmarks role/post_breakthrough_supporting_ratio), capped at 15% of budget | 1973 | Supporting | $750,000 | $17,753 | $112,392 |
| High Plains Drifter no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $0.8M | 1973 | Lead | $5,500,000 | $15,706,540 | $823,215 |
| Magnum Force no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1973 | Lead | – | $39,768,000 | $2,992,837 |
| Joe Kidd no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $0.9M | 1972 | Lead | $6,300,000 | $6,300,000 | $940,955 |
| Dirty Harry no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1971 | Lead | $4,000,000 | $35,988,495 | $595,051 |
| Play Misty for Me no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.1M | 1971 | Lead | $725,000 | $10,600,000 | $108,377 |
| The Beguiled (1971 film) no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.5M | 1971 | Lead | $10,000,000 | $1,100,000 | $1,486,987 |
| Kelly's Heroes no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1970 | Lead | $4,000,000 | $5,200,000 | $590,445 |
| Two Mules for Sister Sara no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.6M | 1970 | Lead | $4,000,000 | $5,050,000 | $590,445 |
| Paint Your Wagon no disclosed fee: modeled on the $6.3M shrunk median for pre1990/mid (n=4), capped at $3.0M | 1969 | Lead | $20,000,000 | $14,500,000 | $2,902,118 |
| Coogan's Bluff no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.2M | 1968 | Lead | $1,500,000 | $3,110,000 | $214,849 |
| Hang 'Em High no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.2M | 1968 | Lead | $1,600,000 | $10,800,000 | $228,874 |
| Where Eagles Dare no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2), capped at $1.2M | 1968 | Lead | $7,700,000 | $21,000,000 | $1,086,661 |
| The Witches (1967 film) no disclosed fee: modeled on the $4.1M shrunk median for pre1990/small (n=2); budget unreported, small-film terms | 1967 | Lead | – | – | $2,654,684 |
| The Good, the Bad and the Ugly soft-breakthrough blend (w=0.79): no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.2M vs early terms | 1966 | Lead | $1,200,000 | $38,900,000 | $156,792 |
| For a Few Dollars More soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.1M vs early terms | 1965 | Lead | $600,000 | $15,000,000 | $82,791 |
| A Fistful of Dollars soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $2.8M median for its era and nearest band (small), capped at $0.0M vs early terms | 1964 | Lead | $200,000 | $3,500,000 | $30,000 |
| Mister Ed soft-breakthrough supporting blend (w=0.21) | 1962 | Supporting | – | – | $184,873 |
| Alfred Hitchcock Presents no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1959 | Supporting | – | – | $116,623 |
| Maverick no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.03 | 1959 | Lead | – | – | $202,908 |
| Rawhide no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.03 | 1959 | Lead | – | – | $202,908 |
| Ambush at Cimarron Pass no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.02 | 1958 | Lead | – | – | $155,229 |
| Lafayette Escadrille no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.02 | 1958 | Lead | – | – | $155,229 |
| Navy Log no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.02 | 1958 | Lead | – | – | $155,229 |
| Escapade in Japan no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1957 | Supporting | – | – | $106,776 |
| The West Point Story (TV series) no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.01 | 1957 | Lead | – | – | $130,112 |
| Away All Boats no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate); soft-breakthrough weight 0.00 | 1956 | Lead | $2,000,000 | $3,500,000 | $69,861 |
| Death Valley Days no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1956 | Lead | – | – | $117,044 |
| Never Say Goodbye no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate); soft-breakthrough weight 0.00 | 1956 | Lead | $1,600,000 | $1,600,000 | $69,573 |
| Star in the Dust no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1956 | Lead | – | – | $117,044 |
| TV Reader's Digest no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1956 | Lead | – | – | $117,044 |
| The First Traveling Saleslady no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1956 | Lead | – | – | $117,044 |
| Allen in Movieland no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1955 | Lead | – | – | $110,288 |
| Francis in the Navy no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1955 | Lead | – | – | $110,288 |
| Highway Patrol no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1955 | Lead | – | – | $110,288 |
| Lady Godiva of Coventry no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1955 | Supporting | – | – | $104,094 |
| Revenge of the Creature no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1955 | Supporting | – | $1,100,000 | $104,094 |
| Tarantula no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1955 | Lead | – | $1,100,000 | $110,288 |
Comment fonctionnent les figures modélisées. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our page méthodologie.
Patrimoine net Over Time
Solde modélisé à la fin de chaque année, correspondant au tableau année par année ci-dessous.
Année par année
| Year | Income | Frais de représentation | Taux d'imposition | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $417,017 | $62,553 | 45% | $153,781 | $41,175 | $474,139,397 |
| 2025 | $417,017 | $62,553 | 45% | $153,781 | $41,175 | $420,749,457 |
| 2024 | $9,174,762 | $1,376,214 | 45% | $2,364,208 | $1,924,993 | $392,144,113 |
| 2023 | $2,012,332 | $301,850 | 45% | $518,550 | $422,215 | $361,326,211 |
| 2022 | $466,438 | $69,966 | 45% | $172,006 | $46,054 | $331,253,039 |
| 2021 | $8,971,889 | $1,345,783 | 45% | $2,311,930 | $1,882,428 | $355,423,785 |
| 2020 | $2,292,224 | $343,834 | 45% | $590,674 | $480,941 | $326,085,451 |
| 2019 | $11,578,318 | $1,736,748 | 45% | $2,983,570 | $2,429,293 | $303,084,146 |
| 2018 | $17,614,139 | $2,642,121 | 45% | $4,538,917 | $3,695,693 | $271,738,359 |
| 2017 | $5,811,829 | $871,774 | 47% | $1,443,168 | $1,175,061 | $266,486,385 |
| 2016 | $16,797,820 | $2,519,673 | 47% | $4,171,161 | $3,396,257 | $246,545,856 |
| 2015 | $3,411,962 | $511,794 | 47% | $847,243 | $689,845 | $231,136,510 |
| 2014 | $18,601,795 | $2,790,269 | 47% | $4,619,116 | $3,760,993 | $224,981,306 |
| 2013 | $3,352,100 | $502,815 | 47% | $832,379 | $677,742 | $208,489,919 |
| 2012 | $13,651,131 | $2,047,670 | 43% | $3,645,622 | $2,968,351 | $190,308,461 |
| 2011 | $14,980,646 | $2,247,097 | 43% | $4,000,677 | $3,257,446 | $175,612,694 |
| 2010 | $17,428,687 | $2,614,303 | 43% | $4,654,442 | $3,789,756 | $165,981,557 |
| 2009 | $18,076,713 | $2,711,507 | 43% | $4,827,502 | $3,930,665 | $151,821,446 |
| 2008 | $21,584,348 | $3,237,652 | 43% | $5,764,238 | $4,693,378 | $134,994,580 |
| 2007 | $4,796,934 | $719,540 | 43% | $1,281,052 | $1,043,063 | $143,235,354 |
| 2006 | $20,243,556 | $3,036,533 | 43% | $5,406,171 | $4,401,832 | $136,026,223 |
| 2005 | $7,908,252 | $1,186,238 | 43% | $2,111,949 | $1,719,599 | $123,418,163 |
| 2004 | $14,824,354 | $2,223,653 | 43% | $3,958,939 | $3,223,461 | $117,422,053 |
| 2003 | $14,720,104 | $2,208,016 | 43% | $3,931,098 | $3,200,793 | $108,314,669 |
| 2002 | $13,967,484 | $2,095,123 | 46% | $3,533,785 | $2,877,291 | $95,731,583 |
| 2001 | $2,942,484 | $441,373 | 46% | $744,451 | $606,149 | $95,738,905 |
| 2000 | $13,192,456 | $1,978,868 | 46% | $3,337,702 | $2,717,635 | $95,173,681 |
| 1999 | $14,134,295 | $2,120,144 | 46% | $3,575,988 | $2,911,653 | $91,018,410 |
| 1998 | $3,046,149 | $456,922 | 46% | $770,678 | $627,504 | $82,266,839 |
| 1997 | $14,112,323 | $2,116,848 | 46% | $3,570,429 | $2,907,127 | $73,861,197 |
| 1996 | $4,333,492 | $650,024 | 46% | $1,096,377 | $892,696 | $63,422,348 |
| 1995 | $10,828,115 | $1,624,217 | 46% | $2,739,522 | $2,230,583 | $57,957,635 |
| 1994 | $3,055,350 | $458,303 | 46% | $773,006 | $629,400 | $49,076,284 |
| 1993 | $13,208,524 | $1,981,279 | 46% | $3,341,767 | $2,720,945 | $47,582,781 |
| 1992 | $10,137,840 | $1,520,676 | 36% | $3,039,860 | $2,475,125 | $42,380,159 |
| 1991 | $1,801,328 | $270,199 | 36% | $540,133 | $439,789 | $38,032,304 |
| 1990 | $8,925,539 | $1,338,831 | 36% | $2,676,348 | $2,179,145 | $33,707,158 |
| 1989 | $5,185,396 | $777,809 | 36% | $1,554,856 | $1,266,000 | $30,702,963 |
| 1988 | $10,525,405 | $1,578,811 | 36% | $3,156,072 | $2,569,748 | $26,380,859 |
| 1987 | $3,355,394 | $503,309 | 45% | $864,638 | $704,009 | $22,237,538 |
| 1986 | $4,225,217 | $633,783 | 55% | $890,819 | $725,326 | $20,772,979 |
| 1985 | $6,162,447 | $924,367 | 55% | $1,299,253 | $1,057,883 | $18,444,910 |
| 1984 | $4,889,981 | $733,497 | 55% | $1,030,974 | $839,443 | $15,419,663 |
| 1983 | $5,605,073 | $840,761 | 55% | $1,181,740 | $962,200 | $13,780,184 |
| 1982 | $5,312,239 | $796,836 | 55% | $1,120,001 | $911,931 | $12,563,571 |
| 1981 | $1,462,210 | $219,331 | 55% | $308,284 | $251,012 | $11,420,378 |
| 1980 | $3,721,311 | $558,197 | 55% | $784,579 | $638,823 | $10,947,676 |
| 1979 | $2,193,520 | $329,028 | 55% | $462,469 | $376,553 | $10,104,242 |
| 1978 | $1,276,918 | $191,538 | 55% | $269,218 | $219,203 | $9,534,613 |
| 1977 | $1,800,853 | $270,128 | 55% | $379,681 | $309,145 | $9,130,517 |
| 1976 | $2,541,778 | $381,267 | 55% | $535,893 | $436,337 | $8,646,284 |
| 1975 | $2,354,418 | $353,163 | 55% | $496,391 | $404,174 | $8,046,996 |
| 1974 | $1,044,069 | $156,610 | 55% | $220,125 | $179,231 | $7,491,127 |
| 1973 | $3,641,951 | $546,293 | 55% | $767,847 | $625,199 | $7,166,769 |
| 1972 | $1,999,527 | $299,929 | 55% | $421,568 | $343,251 | $6,411,732 |
| 1971 | $2,343,143 | $351,471 | 55% | $494,014 | $402,238 | $5,948,034 |
| 1970 | $1,593,301 | $238,995 | 54% | $343,387 | $279,594 | $5,435,722 |
| 1969 | $2,476,225 | $371,434 | 54% | $533,674 | $434,530 | $5,053,789 |
| 1968 | $2,051,360 | $307,704 | 54% | $442,107 | $359,974 | $4,527,576 |
| 1967 | $6,406,522 | $960,978 | 54% | $1,380,728 | $1,124,222 | $4,084,883 |
| 1966 | $4,978,784 | $746,818 | 54% | $1,073,024 | $873,681 | $2,901,898 |
| 1965 | $4,129,800 | $619,470 | 54% | $890,051 | $724,701 | $1,987,961 |
| 1964 | $4,053,252 | $607,988 | 53% | $892,544 | $726,730 | $1,238,187 |
| 1963 | $12,841 | $1,926 | 53% | $4,633 | $497 | $501,305 |
| 1962 | $133,253 | $19,988 | 53% | $35,901 | $17,333 | $490,868 |
| 1961 | $59,303 | $8,895 | 53% | $21,398 | $2,293 | $464,136 |
| 1960 | $3,841 | $576 | 53% | $1,386 | $149 | $452,676 |
| 1959 | $369,549 | $55,432 | 53% | $81,376 | $66,259 | $443,546 |
| 1958 | $486,554 | $72,983 | 53% | $107,141 | $87,237 | $369,799 |
| 1957 | $309,369 | $46,405 | 53% | $83,351 | $40,242 | $276,954 |
| 1956 | $497,204 | $74,581 | 53% | $109,487 | $89,147 | $232,014 |
| 1955 | $636,820 | $95,523 | 53% | $140,231 | $114,179 | $140,031 |
| 1954 | $194,802 | $29,220 | 53% | $52,484 | $25,339 | $25,339 |
Model Notes
- RESIDENCE PROXY: long public Carmel-by-the-Sea base in Monterey County
- salary comps: 2 disclosed lead fee(s) flagged as non-market outliers (scale / far-below-quote) and excluded from era medians
- Crédit image : Wikimedia Commons via Wikipedia (Clint Eastwood)
Méthodologie
We rebuild Clint’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
Le modèle complet, chaque tableau de taux et la façon dont nos estimations ont été comparées aux offres réelles sont disponibles. page méthodologie.
Frequently Asked Questions
What is Clint Eastwood's net worth in 2026?
As of 2026, Clint Eastwood's net worth is an estimated $474.1 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Clint Eastwood make money?
Salaires des films et participation backend documentée.
How is Clint Eastwood's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Clint actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Clint Eastwood make per film?
Cela varie selon le rôle et l'époque, et le tableau film par film ci-dessus répertorie les rémunérations comptabilisées pour chaque titre. Les jours de paie divulgués entrent tels que déclarés. Les rôles non divulgués sont calqués sur ce que des acteurs comparables ont gagné à la même époque et dans la même fourchette budgétaire, les rôles principaux après la percée gagnant le plus et les rôles de soutien ou les premiers rôles une fraction documentée de ce montant.
Pourquoi le taux d'imposition est-il si élevé et les acteurs ne l'évitent-ils pas en faisant appel à une société de prêt ?
Tax comes out at the effective rate for where Clint lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Pourquoi ce chiffre est-il différent de celui des autres sites à valeur nette ?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the page méthodologie lists every source.
Quelle est la précision de cette estimation ?
Aucune estimation de la valeur nette d’un particulier n’est exacte ; celui-ci est un modèle construit à partir de données publiques. La différence est que vous pouvez voir comment il a été construit et vérifier chaque étape. Le niveau de confiance situé en haut du calcul indique dans quelle mesure le chiffre repose sur des chiffres divulgués, et la page indique où un chiffre s'appuie sur une hypothèse.
Is Clint Eastwood rich compared to the average person?
Yes. A net worth of $474.1 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
What is Clint Eastwood's biggest source of wealth?
On this page it is film salaries, the largest line in the calculation at $240.3 Million. The full breakdown, with every other line and its source, is above.
How much does Clint Eastwood make from endorsements?
The model counts $16.0 Million in career endorsement income for Clint: 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years. It is an estimate, since the individual deal values are not all public, and it sits as its own line in the calculation above.
What businesses does Clint Eastwood own?
The stake counted on this page is Pebble Beach Company stake. It is valued from a reported transaction or a revenue multiple, and shown as its own line in the calculation above with the basis next to it.
Explorez d'autres acteurs
À propos de NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” ou “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. En savoir plus sur NetWorth Explained.