Chris Rock Net Worth 2026
Huling na-update August 3, 2026
As of 2026, Chris Rock has an estimated net worth of $165.6 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Ibinunyag ang mga suweldo at dokumentadong backend, bawat isa ay may citation
- Ang mga hindi isiniwalat na tungkulin na na-modelo mula sa mga inihayag na maihahambing para sa kanilang panahon, banda ng badyet, at yugto ng karera
- Backend, pag-endorso, at paggawa ng mga kredito na tinantya mula sa mga isiniwalat na median

Fast Facts
| Birthdate | n/a |
|---|---|
| Birthplace | n/a |
| Breakthrough | career breakthrough modeled at 1996 |
| Best Known | Saturday Night Live |
Who Is Chris Rock?
Chris Rock is best known for Saturday Night Live. The earnings behind Chris's net worth come from film salaries, backend participation, and endorsement deals.
The model tracks Chris's earning years from 1985 to 2026, with the biggest single year in 1998 at about $16.7 Million of gross income. After representation fees, taxes, and living costs, what stays invested compounds at market returns into an estimated $165.6 Million today.
Data
Ang bawat linya sa ibaba ay kinukuwenta mula sa pampublikong data at sa mga na-publish na talahanayan ng rate sa aming pahina ng metodolohiya. Kumpiyansa: Baitang C. Ang mga dokumentadong numero ay sumasaklaw lamang sa isang maliit na bahagi ng figure na ito, kaya karamihan sa mga ito ay na-modelo mula sa mga nai-publish na mga rate at mga maihahambing (mga grado ay tumatakbo mula sa A, karamihan ay nakadokumento, hanggang C, karamihan ay naka-modelo).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (50 of 110 films) era and budget-band medians of disclosed lead salaries (winsorized, thin cells shrunk toward the era median), blended with this actor's disclosed quote history when available; soft breakthrough blend near the career break year | $190,676,312 |
| Film pay, modeled post-breakthrough supporting roles (42 of 110 films) 12.0% of lead cells: lane_benchmarks role/post_breakthrough_supporting_ratio | $73,940,546 |
| Film pay, modeled supporting and early roles (18 of 110 films) 2.5% ng mga median ng panahon: ang pre-stardom rate | $6,375,669 |
| Mga backend point, tinantiya 12% of disclosed lead deals included points, at a median 2.6% of box office; expected value on 18 commercially viable undisclosed lead roles; cash spread over 3 years; 1 film(s) used band-specific box-office/budget multiples as a gross proxy | $4,803,158 |
| Mga pag-endorso, tinantyang (1 brand partnership) 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years | $16,000,000 |
| Nalalabi, tinatantya SAG residual rates on post-theatrical receipts assumed at half of box office, split by role share and spread over the ten years after each release; 2 film(s) used band-specific box-office proxies | $17,925,210 |
| TV: Himself Host; television special; guest default per credited year; network not identified, priced on the broadcast cell; priced from tv_episode_rates.csv (en.wikipedia.org) | $150,000 |
| Puhunan returns sa savings mixed portfolio: 55% actual 60/40 securities returns (taxed) + 45% US long-run home-price rate on the rest | $100,755,511 |
| Expenses | |
| Mga bayarin sa representasyon ahente 10% + abogado 5% | -$46,385,168 |
| Taxes Mga epektibong rate ng US-CA, taon-taon | -$117,975,618 |
| Personal na paggasta measured household savings rates by income, times a 88% entertainment-household factor | -$80,011,932 |
| Tinatayang netong halaga | $165,617,247 |
Pelikula ayon sa Pelikula
| Film | Year | Role | Budget | Box office | Binilang ang bayad |
|---|---|---|---|---|---|
| Lorne no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2026 | Lead | – | $449,135 | $3,000,000 |
| To be announced no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2026 | Lead | – | – | $3,000,000 |
| Being Eddie no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2025 | Supporting | – | – | $3,000,000 |
| The Simpsons no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2025 | Supporting | – | – | $3,000,000 |
| Everybody Still Hates Chris no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2024 | Supporting | – | – | $3,000,000 |
| Chris Rock: Selective Outrage no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2023 | Lead | – | – | $3,000,000 |
| Paw Patrol: The Mighty Movie no disclosed fee: post-breakthrough supporting at 12.0% of the $21.7M shrunk median for 2020s/mid (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2023 | Supporting | $30,000,000 | $205,000,000 | $2,600,000 |
| Rustin no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2023 | Lead | – | – | $3,000,000 |
| Amsterdam no disclosed fee: modeled on the $23.8M shrunk median for 2020s/large (n=2), capped at $12.0M | 2022 | Lead | $80,000,000 | $31,200,000 | $12,000,000 |
| Bad Trip no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2021 | Lead | – | – | $3,000,000 |
| Spiral no disclosed fee: modeled on the $21.7M shrunk median for 2020s/mid (n=1), capped at $3.0M | 2021 | Lead | $20,000,000 | $40,600,000 | $3,000,000 |
| The One and Only Dick Gregory no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2021 | Supporting | – | – | $3,000,000 |
| Fargo no disclosed fee: modeled on the $25.0M median for its era and nearest band (mid), capped at $1.1M | 2020 | Lead | $7,000,000 | $60,611,975 | $1,050,000 |
| The Comedy Store no disclosed fee: post-breakthrough supporting at 12.0% of the $25.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2020 | Supporting | – | – | $3,000,000 |
| The Witches no disclosed fee: post-breakthrough supporting at 12.0% of the $16.4M shrunk median for 2020s/tentpole (n=5) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2020 | Supporting | $100,000,000 | $26,900,000 | $1,971,428 |
| Dolemite Is My Name no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2019 | Lead | – | – | $2,999,999 |
| Old Town Road no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2019 | Lead | – | – | $2,999,999 |
| Chris Rock: Tamborine no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Kevin Can Wait no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Nobody's Fool no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2018 | Supporting | $19,000,000 | $33,700,000 | $600,000 |
| The Week Of no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2018 | Lead | – | – | $2,999,999 |
| Sandy Wexler no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $3.6M | 2017 | Lead | $24,300,000 | – | $3,644,997 |
| A Very Murray Christmas no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Amy Schumer: Live at the Apollo no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| Bitch I'm Madonna no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| Broad City no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Empire no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2015 | Lead | – | – | $2,999,991 |
| The Eric Andre Show no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| The Jim Gaffigan Show no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2015 | Supporting | – | – | $599,999 |
| Top Five no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid), capped at $1.8M | 2014 | Lead | $12,000,000 | $26,100,000 | $1,799,990 |
| A.N.T. Farm no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| Comedians in Cars Getting Coffee no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| Grown Ups 2 no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $12.0M | 2013 | Lead | $80,000,000 | $247,000,000 | $11,999,862 |
| Madly Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $5.0M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2013 | Supporting | – | – | $599,994 |
| Real Husbands of Hollywood no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2013 | Lead | – | – | $2,999,966 |
| 2 Days in New York no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid), capped at $1.3M | 2012 | Lead | $8,800,000 | $4,099,999 | $1,319,972 |
| Madagascar 3: Europe's Most Wanted no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2010s/tentpole (n=12) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2012 | Supporting | $145,000,000 | $746,900,000 | $2,399,956 |
| Tosh.0 no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2012 | Lead | – | – | $2,999,933 |
| What to Expect When You're Expecting no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $5.2M | 2012 | Lead | $35,000,000 | $84,400,000 | $5,249,884 |
| The Motherfucker with the Hat no disclosed fee: modeled on the $5.0M median for its era and nearest band (mid); budget unreported, small-film terms | 2011 | Lead | – | – | $2,999,869 |
| Death at a Funeral no disclosed fee: modeled on the $11.0M shrunk median for 2010s/mid (n=3), capped at $3.1M | 2010 | Lead | $21,000,000 | $49,100,000 | $3,149,746 |
| Grown Ups no disclosed fee: modeled on the $20.0M shrunk median for 2010s/large (n=8), capped at $11.2M | 2010 | Lead | $75,000,000 | $271,400,000 | $11,249,049 |
| Good Hair no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | $4,000,000 | $2,249,693 |
| Louie no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Merry Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Why We Laugh: Black Comedians on Black Comedy no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2009 | Supporting | – | – | $2,249,693 |
| Chris Rock: Kill the Messenger no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2008 | Supporting | – | – | $2,249,403 |
| Madagascar: Escape 2 Africa no disclosed fee: post-breakthrough supporting at 12.0% of the $11.8M shrunk median for 2000s/tentpole (n=9) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2008 | Supporting | $150,000,000 | $603,900,000 | $1,417,805 |
| You Don't Mess with the Zohan no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2008 | Supporting | $90,000,000 | $204,000,000 | $2,399,363 |
| Bee Movie no disclosed fee: post-breakthrough supporting at 12.0% of the $11.8M shrunk median for 2000s/tentpole (n=9) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2007 | Supporting | $150,000,000 | $293,500,000 | $1,417,449 |
| Hump de Bump no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2007 | Supporting | – | – | $2,248,837 |
| I Think I Love My Wife no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $1.6M | 2007 | Lead | $11,000,000 | $13,196,245 | $1,649,229 |
| Mr. Warmth: The Don Rickles Project no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio), capped at 15% of budget | 2007 | Supporting | $500,000 | – | $75,000 |
| Everybody Hates Chris no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2005 | Supporting | – | – | $2,245,596 |
| Madagascar no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2005 | Supporting | $75,000,000 | $558,000,000 | $2,395,302 |
| The Aristocrats no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2005 | Supporting | – | $6,400,000 | $2,245,596 |
| The Longest Yard no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $12.3M | 2005 | Lead | $82,000,000 | $191,500,000 | $12,270,823 |
| Chris Rock: Never Scared no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2004 | Lead | – | – | $2,987,838 |
| Paparazzi no disclosed fee: post-breakthrough supporting at 12.0% of the $19.4M shrunk median for 2000s/mid (n=2) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2004 | Supporting | $20,000,000 | $16,000,000 | $2,316,156 |
| The N-Word no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2004 | Supporting | – | – | $2,241,442 |
| Head of State no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.2M | 2003 | Lead | $35,000,000 | $38,600,000 | $5,205,604 |
| Pauly Shore Is Dead no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2003 | Supporting | – | $11,000 | $2,233,406 |
| The Bernie Mac Show no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2003 | Lead | – | – | $2,976,419 |
| Bad Company no disclosed fee: modeled on the $20.0M shrunk median for 2000s/large (n=18), capped at $10.5M | 2002 | Lead | $70,000,000 | $66,000,000 | $10,320,138 |
| Comedian no disclosed fee: post-breakthrough supporting at 12.0% of the $18.8M median for its era and nearest band (mid) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 2002 | Supporting | – | $2,751,988 | $2,217,962 |
| A.I. Artificial Intelligence no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2001 | Supporting | $95,000,000 | $235,900,000 | $2,334,554 |
| Down to Earth no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $5.9M | 2001 | Lead | $39,500,000 | $71,200,000 | $5,737,597 |
| Jay and Silent Bob Strike Back no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.3M | 2001 | Lead | $22,000,000 | $33,800,000 | $3,203,015 |
| Osmosis Jones no disclosed fee: post-breakthrough supporting at 12.0% of the $20.0M shrunk median for 2000s/large (n=18) (lane_benchmarks role/post_breakthrough_supporting_ratio) | 2001 | Supporting | $70,000,000 | $14,000,000 | $2,334,554 |
| Pootie Tang no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid), capped at $1.1M | 2001 | Lead | $7,000,000 | $3,300,000 | $1,029,979 |
| DAG no disclosed fee: modeled on the $18.8M median for its era and nearest band (mid); budget unreported, small-film terms | 2000 | Lead | – | – | $2,835,547 |
| Nurse Betty no disclosed fee: modeled on the $19.4M shrunk median for 2000s/mid (n=2), capped at $3.8M | 2000 | Lead | $25,000,000 | $29,400,000 | $3,537,835 |
| Chris Rock: Bigger & Blacker no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1999 | Lead | – | – | $2,672,192 |
| Dogma no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.5M | 1999 | Lead | $10,000,000 | $45,000,000 | $1,350,996 |
| Jackie's Back no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1999 | Supporting | – | – | $1,086,757 |
| No Sex (In the Champagne Room) no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms | 1999 | Lead | – | – | $2,672,192 |
| Torrance Rises no disclosed fee: post-breakthrough supporting at 12.0% of the $10.0M shrunk median for 1990s/small (n=1) (lane_benchmarks role/post_breakthrough_supporting_ratio); budget unreported, small-film terms | 1999 | Supporting | – | – | $1,086,757 |
| Dr. Dolittle soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | $71,500,000 | $294,400,000 | $1,462,660 |
| Hari ng Burol soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | – | – | $1,001,822 |
| Lethal Weapon 4 soft-breakthrough blend (w=0.79): no disclosed fee: modeled on the $12.8M shrunk median for 1990s/tentpole (n=1) vs early terms | 1998 | Lead | $125,000,000 | $285,400,000 | $10,223,119 |
| Mr. Show with Bob and David soft-breakthrough supporting blend (w=0.79) | 1998 | Supporting | – | – | $1,001,822 |
| "Champagne" soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1997 | Lead | – | – | $2,067,080 |
| Beverly Hills Ninja soft-breakthrough blend (w=0.66): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $2.7M vs early terms | 1997 | Lead | $18,000,000 | $37,900,000 | $1,868,853 |
| Happily Ever After: Fairy Tales for Every Child soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| Howard Stern soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| The Chris Rock Show soft-breakthrough supporting blend (w=0.66) | 1997 | Supporting | – | – | $877,719 |
| Chris Rock: Bring the Pain soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Homicide: Life on the Street soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Martin soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Politically Incorrect soft-breakthrough supporting blend (w=0.50) | 1996 | Supporting | – | – | $725,000 |
| Saturday Night Live soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1996 | Lead | – | – | $1,625,000 |
| Sgt. Bilko soft-breakthrough blend (w=0.50): no disclosed fee: modeled on the $14.4M shrunk median for 1990s/mid (n=6), capped at $5.8M vs early terms | 1996 | Lead | $39,000,000 | $37,956,793 | $3,104,688 |
| Panther soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1), capped at $1.1M vs early terms | 1995 | Lead | $7,500,000 | $8,000,000 | $546,838 |
| The Fresh Prince of Bel-Air soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1995 | Lead | – | – | $1,182,920 |
| The Immortals soft-breakthrough blend (w=0.34): no disclosed fee: modeled on the $10.0M shrunk median for 1990s/small (n=1); budget unreported, small-film terms vs early terms | 1995 | Lead | – | – | $1,182,920 |
| The Moxy Show soft-breakthrough supporting blend (w=0.34) | 1995 | Supporting | – | – | $572,281 |
| HBO Comedy Half-Hour soft-breakthrough supporting blend (w=0.21) | 1994 | Supporting | – | – | $448,178 |
| CB4 no disclosed fee: 2.5% of the $10.0M shrunk median for 1990s/small (n=1) (pre-stardom rate); soft-breakthrough weight 0.12 | 1993 | Lead | $6,000,000 | $17,900,000 | $327,482 |
| Boomerang no disclosed fee: 2.5% of the $14.4M shrunk median for 1990s/mid (n=6) (pre-stardom rate); soft-breakthrough weight 0.06 | 1992 | Lead | $42,000,000 | $131,000,000 | $745,332 |
| New Jack City no disclosed fee: 2.5% of the $10.0M shrunk median for 1990s/small (n=1) (pre-stardom rate); soft-breakthrough weight 0.03 | 1991 | Lead | $8,000,000 | $47,600,000 | $282,723 |
| Rob Base no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.01 | 1989 | Lead | – | – | $130,112 |
| Smooth Operator (Big Daddy Kane song) no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1989 | Supporting | – | – | $106,776 |
| Who Is Chris Rock? no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1989 | Supporting | – | – | $106,776 |
| Comedy's Dirtiest Dozen no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms | 1988 | Supporting | – | – | $105,008 |
| I'm Gonna Git You Sucka no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate); soft-breakthrough weight 0.00 | 1988 | Lead | $3,000,000 | $13,000,000 | $70,582 |
| Beverly Hills Cop II no disclosed fee: 2.5% of the $6.3M shrunk median for pre1990/mid (n=4) (pre-stardom rate); soft-breakthrough weight 0.00 | 1987 | Lead | $27,000,000 | $300,000,000 | $167,956 |
| In Living Color no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Miami Vice no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Saturday Night Live no disclosed fee: 2.5% of the $4.1M shrunk median for pre1990/small (n=2) (pre-stardom rate); budget unreported, small-film terms; soft-breakthrough weight 0.00 | 1987 | Lead | – | – | $110,288 |
| Krush Groove no disclosed fee: 2.5% of the $2.8M median for its era and nearest band (small) (pre-stardom rate) | 1985 | Supporting | $3,000,000 | $11,000,000 | $68,921 |
Paano gumagana ang mga modelong figure. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our pahina ng metodolohiya.
Net Worth Sa Paglipas ng Panahon
Nakamodelong balanse sa katapusan ng bawat taon, na tumutugma sa talahanayan sa bawat taon sa ibaba.
Taon-taon
| Year | Income | Mga bayarin sa Rep | Halaga ng buwis | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $4,342,574 | $651,386 | 45% | $1,119,021 | $911,133 | $165,617,247 |
| 2025 | $6,142,116 | $921,317 | 45% | $1,582,737 | $1,288,702 | $161,437,015 |
| 2024 | $4,057,619 | $608,643 | 45% | $1,045,592 | $851,345 | $149,274,974 |
| 2023 | $7,236,270 | $1,085,440 | 45% | $1,864,685 | $1,518,271 | $137,433,931 |
| 2022 | $11,499,745 | $1,724,962 | 45% | $2,963,323 | $2,412,807 | $124,749,175 |
| 2021 | $10,395,628 | $1,559,344 | 45% | $2,678,808 | $2,181,148 | $131,281,213 |
| 2020 | $7,519,675 | $1,127,951 | 45% | $1,937,715 | $1,577,733 | $119,074,195 |
| 2019 | $6,593,138 | $988,971 | 45% | $1,698,959 | $1,383,333 | $109,369,845 |
| 2018 | $9,218,192 | $1,382,729 | 45% | $2,375,399 | $1,934,106 | $97,600,546 |
| 2017 | $6,154,652 | $923,198 | 47% | $1,528,296 | $1,244,375 | $95,110,992 |
| 2016 | $1,799,959 | $269,994 | 47% | $446,958 | $363,924 | $87,227,432 |
| 2015 | $9,133,650 | $1,370,047 | 47% | $2,268,028 | $1,846,682 | $82,571,916 |
| 2014 | $5,906,630 | $885,994 | 47% | $1,466,708 | $1,194,228 | $78,810,725 |
| 2013 | $16,736,035 | $2,510,405 | 47% | $4,155,819 | $3,383,765 | $73,149,960 |
| 2012 | $15,889,480 | $2,383,422 | 43% | $4,243,387 | $3,455,066 | $63,889,890 |
| 2011 | $6,735,707 | $1,010,356 | 43% | $1,798,814 | $1,464,636 | $56,651,629 |
| 2010 | $11,851,079 | $1,777,662 | 43% | $3,164,907 | $2,576,941 | $53,146,179 |
| 2009 | $11,203,136 | $1,680,470 | 43% | $2,991,869 | $2,436,050 | $47,335,900 |
| 2008 | $7,626,171 | $1,143,926 | 43% | $2,036,618 | $1,658,262 | $40,984,545 |
| 2007 | $6,441,130 | $966,169 | 43% | $1,720,145 | $1,400,582 | $43,229,947 |
| 2006 | $2,474,026 | $371,104 | 43% | $660,704 | $537,961 | $40,015,464 |
| 2005 | $14,116,131 | $2,117,420 | 43% | $3,769,803 | $3,069,462 | $37,016,246 |
| 2004 | $11,537,183 | $1,730,577 | 43% | $3,081,078 | $2,508,687 | $32,753,887 |
| 2003 | $10,157,522 | $1,523,628 | 43% | $2,712,631 | $2,208,688 | $28,686,859 |
| 2002 | $12,533,210 | $1,879,982 | 46% | $3,170,912 | $2,581,831 | $24,114,772 |
| 2001 | $14,615,035 | $2,192,255 | 46% | $3,697,615 | $3,010,685 | $22,201,884 |
| 2000 | $9,625,819 | $1,443,873 | 46% | $2,435,340 | $1,982,911 | $19,199,454 |
| 1999 | $12,874,731 | $1,931,210 | 46% | $3,257,317 | $2,652,184 | $16,948,836 |
| 1998 | $16,747,610 | $2,512,142 | 46% | $4,237,159 | $3,449,994 | $13,349,037 |
| 1997 | $13,073,827 | $1,961,074 | 46% | $3,307,689 | $2,693,198 | $8,955,917 |
| 1996 | $13,658,903 | $2,048,835 | 46% | $3,455,713 | $2,813,723 | $5,597,937 |
| 1995 | $5,842,605 | $876,391 | 46% | $1,478,184 | $1,203,572 | $2,580,639 |
| 1994 | $1,663,440 | $249,516 | 46% | $420,852 | $342,667 | $1,212,720 |
| 1993 | $657,285 | $98,593 | 46% | $203,462 | $98,232 | $854,534 |
| 1992 | $835,758 | $125,364 | 36% | $250,604 | $204,048 | $714,466 |
| 1991 | $609,012 | $91,352 | 36% | $182,614 | $148,689 | $486,464 |
| 1990 | $272,323 | $40,848 | 36% | $99,908 | $48,236 | $302,865 |
| 1989 | $428,070 | $64,211 | 36% | $157,048 | $75,823 | $247,966 |
| 1988 | $405,796 | $60,869 | 36% | $148,876 | $71,877 | $154,272 |
| 1987 | $403,435 | $60,515 | 45% | $127,196 | $61,410 | $76,949 |
| 1986 | $151,230 | $22,684 | 55% | $45,628 | $12,217 | $14,991 |
| 1985 | $68,921 | $10,338 | 55% | $23,810 | $2,552 | $2,552 |
Model Notes
- RESIDENCE PROXY: residence na hindi indibidwal na pinanggalingan para sa batch na ito; Inilapat ang default ng US-CA hanggang sa naidokumento
- salary comps: 2 disclosed lead fee(s) flagged as non-market outliers (scale / far-below-quote) and excluded from era medians
- Credit ng larawan: Wikimedia Commons via Wikipedia (Chris Rock)
Pamamaraan
We rebuild Chris’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
Ang buong modelo, bawat talahanayan ng rate, at kung paano nasuri ang aming mga pagtatantya laban sa mga tunay na deal ay nasa pahina ng metodolohiya.
Frequently Asked Questions
What is Chris Rock's net worth in 2026?
As of 2026, Chris Rock's net worth is an estimated $165.6 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Chris Rock make money?
Mga suweldo sa pelikula at dokumentadong partisipasyon sa backend.
How is Chris Rock's net worth calculated?
Ang mga isiniwalat na araw ng suweldo ay pumasok tulad ng iniulat, na may mga pagsipi. Ginagamit ng mga hindi nasabi na lead role ang median ng mga ibinunyag na suweldo para sa kanilang kapanahunan at bandang badyet, na nilimitahan sa 15% ng badyet ng pelikula, at ginagamit ng mga sumusuporta o maagang-career na mga tungkulin ang dokumentadong pre-stardom fraction ng median na iyon. Ibinabawas namin ang pinanggalingan na mga bayarin sa representasyon, mga buwis para sa mga taon na aktwal na nagtrabaho ni Chris, at paggastos mula sa nasusukat na gawi sa pagtitipid, pagkatapos ay pinagsama sa mga tunay na pagbabalik sa merkado. Ang hindi dokumentadong backend, pag-endorso, at paggawa ng mga kredito ay pumasok bilang mga tinantyang linya mula sa mga isiniwalat na median. Ang bawat rate at pinagmulan ay nai-publish.
How much does Chris Rock make per film?
Nag-iiba-iba ito ayon sa papel at panahon, at ang talahanayan ng film-by-film sa itaas ay naglilista ng bayad na binibilang para sa bawat pamagat. Ang mga isiniwalat na araw ng suweldo ay pumasok tulad ng iniulat. Ang mga hindi nasabi na tungkulin ay na-modelo mula sa kung ano ang maihahambing na mga aktor na kinita sa parehong panahon at hanay ng badyet, na may mga pangunahing tungkulin pagkatapos ng pambihirang tagumpay na kumikita ng pinakamaraming at sumusuporta o maagang mga tungkulin ay isang dokumentadong bahagi nito.
Bakit napakataas ng rate ng buwis, at hindi ba ito iniiwasan ng mga aktor sa isang loan-out na kumpanya?
Lumalabas ang buwis sa epektibong rate para sa kung saan nakatira si Chris bawat taon, na siyang rate na ipinapakita sa talahanayan sa bawat taon. Sa isang estadong may mataas na buwis tulad ng California, ang pinagsamang buwis sa pederal at estado ay umaabot sa halos kalahati ng kita ng isang nangungunang kumikita, kaya ang mga taong iyon ay tumatakbo sa kalagitnaan ng 40s na porsyento. Ang isang loan-out na kumpanya, ang korporasyong maraming aktor na nagpapatakbo ng kanilang kita, ay hindi nagpapababa ng buwis sa perang iniuuwi nila. Ang tunay na bentahe nito ay ang pagbabawas ng mga gastos sa negosyo tulad ng mga bayad sa ahente, tagapamahala, at abogado, at ibinabawas na ng modelo ang mga iyon bilang isang hiwalay na linya bago maglapat ng anumang buwis. Ang mga high-earning performer ay wala rin sa pass-through na business deduction na maaaring i-claim ng ibang mga may-ari ng kumpanya, kaya hindi nito binibili ang mga ito ng rate cut.
Bakit naiiba ang figure na ito sa ibang net worth na mga site?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the pahina ng metodolohiya lists every source.
Gaano katumpak ang pagtatantya na ito?
Walang eksaktong pagtatantya ng net worth para sa isang pribadong indibidwal; ang isang ito ay isang modelong binuo mula sa pampublikong data. Ang pagkakaiba ay makikita mo kung paano ito binuo at suriin ang bawat hakbang. Ang grado ng kumpiyansa na malapit sa tuktok ng kalkulasyon ay nagpapakita kung gaano kalaki ang bilang na nakasalalay sa mga ibinunyag na numero, at ang pahina ay nagba-flag kung saan ang isang numero ay nakasandal sa isang pagpapalagay.
Is Chris Rock rich compared to the average person?
Yes. A net worth of $165.6 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
What is Chris Rock's biggest source of wealth?
On this page it is film salaries, the largest line in the calculation at $190.7 Million. The full breakdown, with every other line and its source, is above.
How much does Chris Rock make from endorsements?
The model counts $16.0 Million in career endorsement income for Chris: 1 named partnerships x the $4.0M annual fee from the median disclosed film deal x a 4-year term, spread across the deal years. It is an estimate, since the individual deal values are not all public, and it sits as its own line in the calculation above.
Galugarin ang Iba Pang Aktor
Tungkol sa NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” o “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Magbasa pa tungkol sa NetWorth Explained.