Anthony Hopkins Net Worth 2026
Last updated July 15, 2026
As of 2026, Anthony Hopkins has an estimated net worth of $377.2 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians

Fast Facts
| Birthdate | December 31, 1937 |
|---|---|
| Birthplace | Port Talbot |
| Breakthrough | The Silence of the Lambs (1991) |
| Best Known | The Silence of the Lambs (1991) |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (75 of 162 films) era and budget-band medians of disclosed lead salaries | $517,505,000 |
| Film pay, modeled supporting and early roles (87 of 162 films) 2.5% of era medians: the pre-stardom rate | $9,793,750 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 30 undisclosed lead roles | $13,060,763 |
| Endorsements, estimated (1 documented brand partnerships) 1 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $11,550,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $26,620,465 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $239,053,489 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$86,598,117 |
| Taxes US-CA effective rates, year by year | -$219,001,253 |
| Personal spending measured household savings rates by income | -$133,593,938 |
| Estimated net worth | $377,180,959 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| Locked no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2025 | Lead | $70,000,000 | – | $10,500,000 |
| Mary no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2024 | Lead | $70,000,000 | – | $10,500,000 |
| Rebel Moon – Part Two: The Scargiver no disclosed fee: modeled on the $15.0M median for its era and budget band | 2024 | Lead | $166,000,000 | – | $15,000,000 |
| Those About to Die no disclosed fee: modeled on the $15.0M median for its era and budget band | 2024 | Lead | $140,000,000 | – | $15,000,000 |
| Freud's Last Session no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2023 | Lead | $2,700,000 | $2,700,000 | $405,000 |
| One Life no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $56,400,000 | $56,400,000 | $8,460,000 |
| Rebel Moon – Part One: A Child of Fire no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2023 | Supporting | $70,000,000 | – | $625,000 |
| Armageddon Time no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2022 | Lead | $15,000,000 | $6,600,000 | $2,250,000 |
| Awakening no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2022 | Supporting | $70,000,000 | – | $625,000 |
| The Son (2022 film) no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2022 | Lead | $6,000,000 | $3,600,000 | $900,000 |
| Mythic Quest no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2021 | Supporting | $70,000,000 | – | $625,000 |
| The Virtuoso (film) no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2021 | Lead | $70,000,000 | – | $10,500,000 |
| Zero Contact no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2021 | Lead | $70,000,000 | – | $10,500,000 |
| Elyse no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| The Father (2020 film) no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $20,000,000 | $24,777,948 | $3,000,000 |
| The Two Popes no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $40,000,000 | $758,711 | $6,000,000 |
| Where Are You no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $40,000,000 | – | $6,000,000 |
| King Lear no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2018 | Lead | $40,000,000 | – | $6,000,000 |
| Thor: Ragnarok no disclosed fee: modeled on the $20.0M median for its era and budget band | 2017 | Lead | $180,000,000 | $853,977,126 | $20,000,000 |
| Transformers: The Last Knight no disclosed fee: modeled on the $20.0M median for its era and budget band | 2017 | Lead | $217,000,000 | $605,425,157 | $20,000,000 |
| Collide no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $29,200,000 | $4,800,000 | $4,380,000 |
| Misconduct no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2016 | Lead | $11,000,000 | $2,100,000 | $1,650,000 |
| Mudcrutch no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| Blackway no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Kidnapping Freddy Heineken no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Solace no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $22,400,000 | $22,400,000 | $3,360,000 |
| The Dresser (2015 film) no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Westworld no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Noah no disclosed fee: modeled on the $20.0M median for its era and budget band | 2014 | Lead | $142,500,000 | $359,000,000 | $20,000,000 |
| Red 2 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $84,000,000 | $148,100,000 | $12,600,000 |
| Thor: The Dark World no disclosed fee: modeled on the $20.0M median for its era and budget band | 2013 | Lead | $170,000,000 | $644,783,140 | $20,000,000 |
| Hitchcock no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2012 | Lead | $15,000,000 | $27,000,000 | $2,250,000 |
| 360 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| The Rite (2011 film) no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| Thor no disclosed fee: modeled on the $20.0M median for its era and budget band | 2011 | Lead | $150,000,000 | – | $20,000,000 |
| The Third Rule no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $40,000,000 | – | $6,000,000 |
| The Wolfman (2010 film) no disclosed fee: modeled on the $20.0M median for its era and budget band | 2010 | Lead | $150,000,000 | $142,600,000 | $20,000,000 |
| You Will Meet a Tall Dark Stranger no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $22,000,000 | $36,000,000 | $3,300,000 |
| The City of Your Final Destination no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Immutable Dream of Snow Lion no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2008 | Lead | $40,000,000 | – | $6,000,000 |
| Where I Stand: The Hank Greenspun Story no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2008 | Supporting | $40,000,000 | – | $500,000 |
| American Masters no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2007 | Supporting | $40,000,000 | – | $500,000 |
| Beowulf no disclosed fee: modeled on the $10.0M median for its era and budget band | 2007 | Lead | $150,000,000 | $196,400,000 | $10,000,000 |
| Fracture no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | $92,000,000 | $6,000,000 |
| Shortcut to Happiness no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | – | $6,000,000 |
| Slipstream no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | – | $6,000,000 |
| All the King's Men no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $55,000,000 | $9,500,000 | $8,250,000 |
| Bobby no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2006 | Lead | $14,000,000 | $20,700,000 | $2,100,000 |
| Proof no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $20,000,000 | $14,189,860 | $3,000,000 |
| The World's Fastest Indian no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $40,000,000 | – | $6,000,000 |
| Alexander no disclosed fee: modeled on the $10.0M median for its era and budget band | 2004 | Lead | $155,000,000 | $167,300,000 | $10,000,000 |
| The Human Stain (film) no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $30,000,000 | $24,900,000 | $4,500,000 |
| Bad Company no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $40,000,000 | – | $6,000,000 |
| Red Dragon no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $40,000,000 | $209,196,298 | $6,000,000 |
| Hannibal no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $40,000,000 | – | $6,000,000 |
| Hearts in Atlantis no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $40,000,000 | – | $6,000,000 |
| How the Grinch Stole Christmas no disclosed fee: 2.5% of the $10.0M median for its era and budget band | 2000 | Supporting | $123,000,000 | $351,000,000 | $250,000 |
| Mission: Impossible 2 no disclosed fee: 2.5% of the $10.0M median for its era and budget band | 2000 | Supporting | $122,500,000 | $546,400,000 | $250,000 |
| Instinct no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Siegfried & Roy: The Magic Box no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1999 | Supporting | $26,000,000 | – | $375,000 |
| Titus no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Meet Joe Black no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $90,000,000 | $142,000,000 | $13,500,000 |
| The Mask of Zorro no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $26,000,000 | – | $3,900,000 |
| Amistad no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $39,000,000 | $58,300,000 | $5,850,000 |
| The Edge (1997 film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $26,000,000 | – | $3,900,000 |
| August no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $26,000,000 | – | $3,900,000 |
| Surviving Picasso no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $26,000,000 | – | $3,900,000 |
| Nixon no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1995 | Lead | $26,000,000 | – | $3,900,000 |
| Legends of the Fall no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1994 | Lead | $30,000,000 | $160,600,000 | $4,500,000 |
| The Road to Wellville (film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1994 | Lead | $26,000,000 | – | $3,900,000 |
| Selected Exits no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| Shadowlands no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| The Innocent (1993 film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| The Remains of the Day (film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| The Trial (1993 film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| Bram Stoker's Dracula no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $40,000,000 | $215,900,000 | $6,000,000 |
| Chaplin no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $31,000,000 | $12,000,000 | $4,650,000 |
| Freejack no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $26,000,000 | – | $3,900,000 |
| Howards End no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $26,000,000 | – | $3,900,000 |
| Spotswood no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $26,000,000 | – | $3,900,000 |
| One Man's War no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $26,000,000 | – | $3,900,000 |
| The Silence of the Lambs (film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $26,000,000 | – | $3,900,000 |
| To Be the Best no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $26,000,000 | – | $3,900,000 |
| Desperate Hours no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1990 | Lead | $26,000,000 | – | $375,000 |
| Dylan Thomas: Return Journey no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1990 | Lead | $26,000,000 | – | $375,000 |
| A Chorus of Disapproval (film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| Great Expectations no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| M. Butterfly no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| The Play on One no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| Donald Campbell no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1988 | Lead | $14,000,000 | – | $68,750 |
| The Dawning no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1988 | Lead | $14,000,000 | – | $68,750 |
| The Tenth Man (1988 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1988 | Lead | $14,000,000 | – | $68,750 |
| 84 Charing Cross Road no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1987 | Lead | $14,000,000 | – | $68,750 |
| Antony and Cleopatra no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1987 | Lead | $14,000,000 | – | $68,750 |
| King Lear no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1986 | Lead | $14,000,000 | – | $68,750 |
| Guilty Conscience no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| Hollywood Wives no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| Mussolini and I no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| Pravda no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| Screen Two no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| The Good Father no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| The Old Vic no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1985 | Lead | $14,000,000 | – | $68,750 |
| Arch of Triumph no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1984 | Lead | $14,000,000 | – | $68,750 |
| Old Times no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1984 | Lead | $14,000,000 | – | $68,750 |
| Strangers and Brothers no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1984 | Lead | $14,000,000 | – | $68,750 |
| The Bounty (1984 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1984 | Lead | $14,000,000 | – | $68,750 |
| A Married Man no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1983 | Lead | $14,000,000 | – | $68,750 |
| The Hunchback of Notre Dame (1982 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1982 | Lead | $14,000,000 | – | $68,750 |
| Cerritos Center for the Performing Arts no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1981 | Lead | $14,000,000 | – | $68,750 |
| Little Eyolf no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1981 | Lead | $14,000,000 | – | $68,750 |
| Othello no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1981 | Lead | $14,000,000 | – | $68,750 |
| Peter and Paul no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1981 | Lead | $14,000,000 | – | $68,750 |
| The Bunker (1981 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1981 | Lead | $14,000,000 | – | $68,750 |
| A Change of Seasons (film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1980 | Lead | $14,000,000 | – | $68,750 |
| The Elephant Man (1980 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1980 | Lead | $14,000,000 | – | $68,750 |
| Mayflower: The Pilgrims' Adventure no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1979 | Lead | $3,025,000 | – | $68,750 |
| The Tempest no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1979 | Lead | $3,025,000 | – | $68,750 |
| International Velvet no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1978 | Lead | $3,025,000 | – | $68,750 |
| Magic no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1978 | Supporting | $3,025,000 | – | $68,750 |
| A Bridge Too Far (film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1977 | Lead | $3,025,000 | – | $68,750 |
| Audrey Rose no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1977 | Lead | $3,025,000 | – | $68,750 |
| Ricardo Montalbán Theatre no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1977 | Lead | $3,025,000 | – | $68,750 |
| Dark Victory no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1976 | Lead | $3,025,000 | – | $68,750 |
| The Lindbergh Kidnapping Case no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1976 | Lead | $3,025,000 | – | $68,750 |
| Victory at Entebbe no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1976 | Lead | $3,025,000 | – | $68,750 |
| All Creatures Great and Small no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1975 | Lead | $3,025,000 | – | $68,750 |
| Equus no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1974 | Lead | $3,025,000 | – | $68,750 |
| Juggernaut no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1974 | Lead | $3,025,000 | – | $68,750 |
| Possessions no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1974 | Lead | $3,025,000 | – | $68,750 |
| QB VII no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1974 | Lead | $3,025,000 | – | $68,750 |
| The Girl from Petrovka no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1974 | Lead | $3,025,000 | – | $68,750 |
| A Doll's House (1973 Garland film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1973 | Lead | $3,025,000 | – | $68,750 |
| Black and Blue no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1973 | Lead | $3,025,000 | – | $68,750 |
| The Edwardians no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1973 | Lead | $3,025,000 | – | $68,750 |
| Macbeth no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1972 | Lead | $3,025,000 | – | $68,750 |
| Poet Game no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1972 | Lead | $3,025,000 | – | $68,750 |
| The Taming of the Shrew no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1972 | Lead | $3,025,000 | – | $68,750 |
| Young Winston no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1972 | Lead | $3,025,000 | – | $68,750 |
| A Woman Killed with Kindness no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| Coriolanus no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| Great Performances no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| The Architect and the Emperor of Assyria no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| War and Peace no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| When Eight Bells Toll no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1971 | Lead | $3,025,000 | – | $68,750 |
| Danton no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1970 | Lead | $3,025,000 | – | $68,750 |
| Play for Today no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1970 | Lead | $3,025,000 | – | $68,750 |
| Play of the Month no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1970 | Lead | $3,025,000 | – | $68,750 |
| The Great Inimitable Mr. Dickens no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1970 | Lead | $3,025,000 | – | $68,750 |
| The Looking Glass War (film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1970 | Lead | $3,025,000 | – | $68,750 |
| Department S no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1969 | Lead | $15,000,000 | – | $68,750 |
| Hamlet no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1969 | Lead | $15,000,000 | – | $68,750 |
| ITV Sunday Night Drama no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1969 | Lead | $15,000,000 | – | $68,750 |
| The Lion in Winter (1968 film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1968 | Lead | $15,000,000 | – | $68,750 |
| A Flea in Her Ear no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1967 | Lead | $15,000,000 | – | $68,750 |
| As You Like It no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1967 | Lead | $15,000,000 | – | $68,750 |
| The Three Sisters no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1967 | Lead | $15,000,000 | – | $68,750 |
| The White Bus no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1967 | Lead | $15,000,000 | – | $68,750 |
| A Flea in Her Ear no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1966 | Lead | $15,000,000 | – | $68,750 |
| A Provincial Life no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1966 | Lead | $15,000,000 | – | $68,750 |
| Juno and the Paycock no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1966 | Lead | $15,000,000 | – | $68,750 |
| The Man in Room 17 no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1965 | Lead | $15,000,000 | – | $68,750 |
| Julius Caesar no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1964 | Lead | $15,000,000 | – | $68,750 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $927,317 | $139,097 | 45% | $273,118 | $160,403 | $377,180,959 |
| 2025 | $15,290,622 | $2,293,593 | 45% | $3,502,699 | $3,645,667 | $377,020,556 |
| 2024 | $45,503,868 | $6,825,580 | 45% | $10,423,799 | $10,849,260 | $340,788,676 |
| 2023 | $15,110,760 | $2,266,614 | 45% | $3,461,497 | $3,602,783 | $297,626,146 |
| 2022 | $5,405,957 | $810,894 | 45% | $1,238,370 | $1,288,915 | $261,138,226 |
| 2021 | $23,224,715 | $3,483,707 | 45% | $5,320,201 | $5,537,353 | $309,602,420 |
| 2020 | $15,266,980 | $2,290,047 | 45% | $3,497,284 | $3,640,030 | $272,393,836 |
| 2019 | $13,692,958 | $2,053,944 | 45% | $3,136,714 | $3,264,744 | $244,704,270 |
| 2018 | $7,690,634 | $1,153,595 | 45% | $1,761,732 | $1,833,639 | $208,738,546 |
| 2017 | $45,465,244 | $6,819,787 | 47% | $10,036,225 | $10,445,867 | $212,471,664 |
| 2016 | $13,060,034 | $1,959,005 | 47% | $2,882,937 | $3,000,608 | $183,398,057 |
| 2015 | $28,432,634 | $4,264,895 | 47% | $6,276,362 | $6,532,540 | $170,559,572 |
| 2014 | $21,989,778 | $3,298,467 | 47% | $4,854,134 | $5,052,262 | $162,830,230 |
| 2013 | $35,462,591 | $5,319,389 | 47% | $7,828,190 | $8,147,708 | $146,879,509 |
| 2012 | $2,874,897 | $431,234 | 43% | $682,515 | $710,373 | $122,726,977 |
| 2011 | $32,542,195 | $4,881,329 | 43% | $7,725,680 | $8,041,014 | $112,499,174 |
| 2010 | $30,412,388 | $4,561,858 | 43% | $7,220,053 | $7,514,749 | $101,121,162 |
| 2009 | $6,565,332 | $984,800 | 43% | $1,558,643 | $1,622,261 | $86,084,757 |
| 2008 | $7,149,680 | $1,072,452 | 43% | $1,697,370 | $1,766,650 | $74,293,565 |
| 2007 | $29,896,377 | $4,484,457 | 43% | $7,097,549 | $7,387,245 | $90,772,108 |
| 2006 | $10,937,565 | $1,640,635 | 43% | $2,596,633 | $2,702,618 | $79,748,339 |
| 2005 | $9,530,097 | $1,429,515 | 43% | $2,262,493 | $2,354,839 | $71,070,471 |
| 2004 | $10,995,097 | $1,649,265 | 43% | $2,610,291 | $2,716,834 | $66,753,091 |
| 2003 | $5,044,132 | $756,620 | 43% | $1,197,502 | $1,246,380 | $60,300,633 |
| 2002 | $13,119,746 | $1,967,962 | 46% | $2,950,762 | $3,071,201 | $51,739,571 |
| 2001 | $12,478,973 | $1,871,846 | 46% | $2,806,646 | $2,921,203 | $53,575,925 |
| 2000 | $849,747 | $127,462 | 46% | $245,721 | $144,313 | $52,633,751 |
| 1999 | $8,524,747 | $1,278,712 | 46% | $1,917,301 | $1,995,558 | $52,918,075 |
| 1998 | $18,100,349 | $2,715,052 | 46% | $4,070,949 | $4,237,111 | $46,621,668 |
| 1997 | $10,159,343 | $1,523,902 | 46% | $2,284,938 | $2,378,201 | $36,707,710 |
| 1996 | $8,030,769 | $1,204,615 | 46% | $1,806,200 | $1,879,923 | $29,115,011 |
| 1995 | $4,130,769 | $619,615 | 46% | $929,051 | $966,972 | $24,611,280 |
| 1994 | $9,027,294 | $1,354,094 | 46% | $2,030,329 | $2,113,199 | $19,547,535 |
| 1993 | $19,635,373 | $2,945,306 | 46% | $4,416,192 | $4,596,444 | $17,500,839 |
| 1992 | $23,048,063 | $3,457,210 | 36% | $6,143,692 | $6,394,455 | $12,064,128 |
| 1991 | $11,700,000 | $1,755,000 | 36% | $3,118,752 | $3,246,048 | $5,385,789 |
| 1990 | $750,000 | $112,500 | 36% | $199,920 | $208,080 | $1,824,534 |
| 1989 | $275,000 | $41,250 | 36% | $94,248 | $55,352 | $1,597,224 |
| 1988 | $206,250 | $30,938 | 36% | $70,686 | $41,514 | $1,313,561 |
| 1987 | $137,500 | $20,625 | 45% | $48,854 | $15,428 | $1,165,049 |
| 1986 | $68,750 | $10,313 | 55% | $23,404 | $2,893 | $1,116,409 |
| 1985 | $481,250 | $72,188 | 55% | $115,969 | $68,109 | $993,173 |
| 1984 | $275,000 | $41,250 | 55% | $66,268 | $38,919 | $774,009 |
| 1983 | $68,750 | $10,313 | 45% | $28,605 | $3,535 | $687,809 |
| 1982 | $68,750 | $10,313 | 45% | $28,605 | $3,535 | $684,274 |
| 1981 | $343,750 | $51,563 | 45% | $101,243 | $59,460 | $680,738 |
| 1980 | $137,500 | $20,625 | 45% | $48,854 | $15,428 | $621,278 |
| 1979 | $137,500 | $20,625 | 45% | $48,854 | $15,428 | $605,851 |
| 1978 | $137,500 | $20,625 | 45% | $40,497 | $23,784 | $590,423 |
| 1977 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $566,639 |
| 1976 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $530,963 |
| 1975 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $495,287 |
| 1974 | $343,750 | $51,563 | 45% | $78,745 | $81,959 | $487,573 |
| 1973 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $405,615 |
| 1972 | $275,000 | $41,250 | 45% | $80,994 | $47,568 | $369,939 |
| 1971 | $412,500 | $61,875 | 45% | $94,493 | $98,350 | $322,370 |
| 1970 | $343,750 | $51,563 | 45% | $78,745 | $81,959 | $224,020 |
| 1969 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $142,062 |
| 1968 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $106,385 |
| 1967 | $275,000 | $41,250 | 45% | $80,994 | $47,568 | $98,672 |
| 1966 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $51,104 |
| 1965 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $15,428 |
| 1964 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $7,714 |
Model Notes
- RESIDENCE PROXY: residence not individually sourced for this batch; US-CA default applied until documented
Methodology
We rebuild Anthony’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Anthony Hopkins's net worth in 2026?
As of 2026, Anthony Hopkins's net worth is an estimated $377.2 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Anthony Hopkins make money?
Film salaries and documented backend participation.
How is Anthony Hopkins's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Anthony actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Anthony Hopkins make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Anthony lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Anthony Hopkins rich compared to the average person?
Yes. A net worth of $377.2 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
Explore Other Actors
About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.