Chris Pine Net Worth 2026
Last updated July 15, 2026
As of 2026, Chris Pine has an estimated net worth of $178.9 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians
Fast Facts
| Birthdate | August 26, 1980 |
|---|---|
| Birthplace | Los Angeles |
| Breakthrough | Star Trek (2009) |
| Best Known | Stretch |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (41 of 68 films) era and budget-band medians of disclosed lead salaries | $389,125,000 |
| Film pay, modeled supporting and early roles (27 of 68 films) 2.5% of era medians: the pre-stardom rate | $13,625,000 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 22 undisclosed lead roles | $12,194,851 |
| Endorsements, estimated (1 documented brand partnerships) 1 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $11,550,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $26,390,544 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $72,495,884 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$67,539,719 |
| Taxes US-CA effective rates, year by year | -$173,813,979 |
| Personal spending measured household savings rates by income | -$102,524,354 |
| Estimated net worth | $178,882,628 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| Alpha Gang no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| Carousel no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | $3,750,000 | $10,500,000 |
| TBA no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| The Kidnapping of Arabella no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2025 | Lead | $70,000,000 | – | $10,500,000 |
| Ariana DeBose no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | – | $10,500,000 |
| Dungeons & Dragons: Honor Among Thieves no disclosed fee: modeled on the $15.0M median for its era and budget band | 2023 | Lead | $150,000,000 | $208,200,000 | $15,000,000 |
| Poolman no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | $153,325 | $10,500,000 |
| Wish no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2023 | Supporting | $70,000,000 | $255,000,000 | $625,000 |
| All the Old Knives no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2022 | Lead | $70,000,000 | – | $10,500,000 |
| Don't Worry Darling no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2022 | Lead | $20,000,000 | $87,609,403 | $3,000,000 |
| Doula no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2022 | Lead | $70,000,000 | – | $10,500,000 |
| The Contractor no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2022 | Lead | $70,000,000 | $2,100,000 | $10,500,000 |
| Home Movie: The Princess Bride no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| Wonder Woman 1984 no disclosed fee: modeled on the $15.0M median for its era and budget band | 2020 | Lead | $200,000,000 | $169,600,000 | $15,000,000 |
| American Dad! no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2019 | Supporting | $40,000,000 | – | $500,000 |
| I Am the Night no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $40,000,000 | – | $6,000,000 |
| Love, Antosha no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2019 | Supporting | $40,000,000 | $50,168 | $500,000 |
| A Wrinkle in Time no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2018 | Lead | $115,000,000 | $133,000,000 | $17,250,000 |
| Outlaw King no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2018 | Lead | $120,000,000 | – | $18,000,000 |
| Spider-Man: Into the Spider-Verse no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2018 | Supporting | $40,000,000 | $363,800,000 | $500,000 |
| Angie Tribeca no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2017 | Lead | $40,000,000 | – | $6,000,000 |
| Breakthrough no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2017 | Supporting | $40,000,000 | – | $500,000 |
| Wet Hot American Summer: Ten Years Later no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2017 | Lead | $40,000,000 | – | $6,000,000 |
| Wonder Woman no disclosed fee: modeled on the $20.0M median for its era and budget band | 2017 | Lead | $149,000,000 | $824,000,000 | $20,000,000 |
| Encore: Movie Partners Sing Broadway no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| For the Love of Spock no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2016 | Supporting | $40,000,000 | – | $500,000 |
| Hell or High Water no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2016 | Lead | $12,000,000 | $37,900,000 | $1,800,000 |
| Star Trek Beyond no disclosed fee: modeled on the $20.0M median for its era and budget band | 2016 | Lead | $185,000,000 | $343,471,816 | $20,000,000 |
| The Finest Hours no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $75,000,000 | $52,100,000 | $11,250,000 |
| Figures of Speech no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| SuperMansion no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| Wet Hot American Summer: First Day of Camp no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Z for Zachariah no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | $121,461 | $6,000,000 |
| Billy Magnussen no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | – | $6,000,000 |
| Emily Blunt no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | – | $6,000,000 |
| Horrible Bosses 2 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $42,000,000 | $107,700,000 | $6,300,000 |
| Into the Woods no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $50,000,000 | $212,900,000 | $7,500,000 |
| Jack Ryan: Shadow Recruit no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $60,000,000 | $135,503,748 | $9,000,000 |
| Stretch no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2014 | Supporting | $40,000,000 | – | $500,000 |
| Queenie Eye no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $40,000,000 | – | $6,000,000 |
| Star Trek no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $40,000,000 | $467,400,000 | $6,000,000 |
| Star Trek Into Darkness no disclosed fee: modeled on the $20.0M median for its era and budget band | 2013 | Lead | $190,000,000 | $467,400,000 | $20,000,000 |
| Celeste and Jesse Forever no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2012 | Supporting | $40,000,000 | $3,600,000 | $500,000 |
| People Like Us no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2012 | Lead | $16,000,000 | $12,600,000 | $2,400,000 |
| Rise of the Guardians no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2012 | Supporting | $145,000,000 | $306,900,000 | $500,000 |
| The Ivy Walls no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $40,000,000 | – | $6,000,000 |
| This Means War no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $65,000,000 | $156,500,000 | $9,750,000 |
| Quantum Quest: A Cassini Space Odyssey no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2010 | Supporting | $40,000,000 | – | $500,000 |
| The Lieutenant of Inishmore no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $40,000,000 | – | $6,000,000 |
| Unstoppable no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $92,500,000 | $167,800,000 | $13,875,000 |
| Beyond All Boundaries no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2009 | Supporting | $40,000,000 | – | $500,000 |
| Carriers no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | $5,800,000 | $6,000,000 |
| Farragut North no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Star Trek no disclosed fee: modeled on the $10.0M median for its era and budget band | 2009 | Lead | $150,000,000 | $385,700,000 | $10,000,000 |
| Bottle Shock no disclosed fee: 2.5% of the $20.0M era median | 2008 | Lead | $5,000,000 | $4,600,000 | $500,000 |
| Fat Pig no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2007 | Lead | $40,000,000 | – | $500,000 |
| Blind Dating no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Lead | $40,000,000 | $945,718 | $500,000 |
| Just My Luck no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Lead | $28,000,000 | $38,100,000 | $500,000 |
| Robot Chicken no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Supporting | $40,000,000 | – | $500,000 |
| Smokin' Aces no disclosed fee: 2.5% of the $20.0M era median | 2006 | Lead | $17,000,000 | $57,300,000 | $500,000 |
| Surrender, Dorothy no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Lead | $40,000,000 | – | $500,000 |
| The Atheist no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Lead | $40,000,000 | – | $500,000 |
| Six Feet Under no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2005 | Lead | $40,000,000 | – | $500,000 |
| American Dreams no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2004 | Lead | $40,000,000 | – | $500,000 |
| The Princess Diaries 2: Royal Engagement no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2004 | Lead | $45,000,000 | $135,300,000 | $500,000 |
| CSI: Miami no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2003 | Lead | $40,000,000 | – | $500,000 |
| ER no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2003 | Lead | $40,000,000 | – | $500,000 |
| The Guardian no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2003 | Lead | $40,000,000 | – | $500,000 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $32,704,333 | $4,905,650 | 45% | $7,491,745 | $7,797,531 | $178,882,628 |
| 2025 | $15,542,918 | $2,331,438 | 45% | $3,560,494 | $3,705,820 | $171,085,097 |
| 2024 | $5,313,844 | $797,077 | 45% | $1,217,269 | $1,266,953 | $152,771,286 |
| 2023 | $42,971,825 | $6,445,774 | 45% | $9,843,771 | $10,245,557 | $136,666,456 |
| 2022 | $36,725,286 | $5,508,793 | 45% | $8,412,845 | $8,756,226 | $112,281,313 |
| 2021 | $1,950,503 | $292,576 | 45% | $446,812 | $465,049 | $123,346,940 |
| 2020 | $27,968,923 | $4,195,338 | 45% | $6,406,981 | $6,668,491 | $110,082,589 |
| 2019 | $9,181,978 | $1,377,297 | 45% | $2,103,362 | $2,189,213 | $94,160,048 |
| 2018 | $38,210,704 | $5,731,606 | 45% | $8,753,117 | $9,110,387 | $79,514,149 |
| 2017 | $36,587,798 | $5,488,170 | 47% | $8,076,573 | $8,406,229 | $72,297,969 |
| 2016 | $42,241,347 | $6,336,202 | 47% | $9,324,566 | $9,705,161 | $58,000,617 |
| 2015 | $14,363,912 | $2,154,587 | 47% | $3,170,762 | $3,300,181 | $45,661,690 |
| 2014 | $37,870,040 | $5,680,506 | 47% | $8,359,622 | $8,700,831 | $42,052,424 |
| 2013 | $35,481,027 | $5,322,154 | 47% | $7,832,259 | $8,151,943 | $31,047,843 |
| 2012 | $20,140,512 | $3,021,077 | 43% | $4,781,458 | $4,976,620 | $20,254,509 |
| 2011 | $472,554 | $70,883 | 43% | $144,240 | $84,712 | $14,086,197 |
| 2010 | $21,261,857 | $3,189,278 | 43% | $5,047,671 | $5,253,698 | $13,554,196 |
| 2009 | $23,839,504 | $3,575,926 | 43% | $5,659,617 | $5,890,622 | $7,633,519 |
| 2008 | $637,598 | $95,640 | 43% | $194,617 | $114,299 | $1,533,059 |
| 2007 | $637,598 | $95,640 | 43% | $194,617 | $114,299 | $1,775,670 |
| 2006 | $3,080,368 | $462,055 | 43% | $731,295 | $761,144 | $1,588,916 |
| 2005 | $580,368 | $87,055 | 43% | $177,149 | $104,040 | $763,575 |
| 2004 | $1,000,000 | $150,000 | 43% | $237,405 | $247,095 | $640,699 |
| 2003 | $1,500,000 | $225,000 | 43% | $356,108 | $370,643 | $370,643 |
Model Notes
- RESIDENCE PROXY: residence not individually sourced for this batch; US-CA default applied until documented
Methodology
We rebuild Chris’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Chris Pine's net worth in 2026?
As of 2026, Chris Pine's net worth is an estimated $178.9 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Chris Pine make money?
Film salaries and documented backend participation.
How is Chris Pine's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Chris actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Chris Pine make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Chris lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Chris Pine rich compared to the average person?
Yes. A net worth of $178.9 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
Explore Other Actors
About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.