Jude Law Net Worth 2026
Last updated July 15, 2026
As of 2026, Jude Law has an estimated net worth of $319.8 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians
Fast Facts
| Birthdate | December 29, 1972 |
|---|---|
| Birthplace | Lewisham |
| Breakthrough | 'Tis Pity She's a Whore (1999) |
| Best Known | Captain Marvel (2019) |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (61 of 88 films) era and budget-band medians of disclosed lead salaries | $471,580,000 |
| Film pay, modeled supporting and early roles (27 of 88 films) 2.5% of era medians: the pre-stardom rate | $8,968,750 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 33 undisclosed lead roles | $17,252,930 |
| Endorsements, estimated (1 documented brand partnerships) 1 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $11,550,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $33,902,791 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $180,041,216 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$80,771,800 |
| Taxes UK effective rates, year by year | -$183,085,670 |
| Personal spending measured household savings rates by income | -$134,855,962 |
| Estimated net worth | $319,806,454 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| Black Rabbit no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2025 | Lead | $70,000,000 | – | $10,500,000 |
| The Wizard of the Kremlin no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2025 | Lead | $70,000,000 | – | $10,500,000 |
| Wild Things no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2025 | Lead | $20,000,000 | $67,200,000 | $3,000,000 |
| Eden no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2024 | Lead | $70,000,000 | $2,800,000 | $10,500,000 |
| The Order no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2024 | Lead | $70,000,000 | – | $10,500,000 |
| Firebrand no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2023 | Lead | $4,500,000 | $4,500,000 | $675,000 |
| Peter Pan & Wendy no disclosed fee: modeled on the $15.0M median for its era and budget band | 2023 | Lead | $170,000,000 | – | $15,000,000 |
| Fantastic Beasts: The Secrets of Dumbledore no disclosed fee: modeled on the $15.0M median for its era and budget band | 2022 | Lead | $200,000,000 | $405,161,334 | $15,000,000 |
| The Nest no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2020 | Lead | $2,100,000 | $2,100,000 | $315,000 |
| The New Pope no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| The Rhythm Section no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $50,000,000 | $6,000,000 | $7,500,000 |
| The Third Day no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| A Rainy Day in New York no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $25,000,000 | $23,800,000 | $3,750,000 |
| Captain Marvel no disclosed fee: modeled on the $20.0M median for its era and budget band | 2019 | Lead | $152,000,000 | $1,128,462,972 | $20,000,000 |
| Fantastic Beasts: The Crimes of Grindelwald no disclosed fee: modeled on the $20.0M median for its era and budget band | 2018 | Lead | $200,000,000 | $654,855,901 | $20,000,000 |
| Vox Lux no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2018 | Lead | $11,000,000 | $1,400,000 | $1,650,000 |
| King Arthur: Legend of the Sword no disclosed fee: modeled on the $20.0M median for its era and budget band | 2017 | Lead | $175,000,000 | $148,700,000 | $20,000,000 |
| Obsession no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2017 | Lead | $40,000,000 | – | $6,000,000 |
| Genius no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2016 | Lead | $17,000,000 | $5,700,000 | $2,550,000 |
| Neo Yokio no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2016 | Supporting | $40,000,000 | – | $500,000 |
| The Young Pope no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| Spy no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $65,000,000 | $235,700,000 | $9,750,000 |
| The Vote no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Toast of London no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| Black Sea no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | $4,070,789 | $6,000,000 |
| The Grand Budapest Hotel no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $25,000,000 | $174,801,324 | $3,750,000 |
| Dom Hemingway no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2013 | Lead | $7,000,000 | $1,300,000 | $1,050,000 |
| Side Effects no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $30,000,000 | $66,700,000 | $4,500,000 |
| 360 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $40,000,000 | – | $6,000,000 |
| Anna Karenina no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $40,600,000 | $68,900,000 | $6,090,000 |
| Rise of the Guardians no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2012 | Supporting | $145,000,000 | $306,900,000 | $500,000 |
| Anna Christie no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| Contagion no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $60,000,000 | $135,458,097 | $9,000,000 |
| Henry V no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| Hugo no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| Sherlock Holmes: A Game of Shadows no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $125,000,000 | $543,848,418 | $18,750,000 |
| Repo Men no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $40,000,000 | – | $6,000,000 |
| Hamlet no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Rage no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Sherlock Holmes no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $90,000,000 | $524,028,679 | $13,500,000 |
| The Imaginarium of Doctor Parnassus no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $30,000,000 | $64,400,000 | $4,500,000 |
| My Blueberry Nights no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | $22,000,000 | $6,000,000 |
| Sleuth no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | – | $6,000,000 |
| All the King's Men no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $55,000,000 | $9,500,000 | $8,250,000 |
| Beckett no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $40,000,000 | – | $6,000,000 |
| Breaking & Entering no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $40,000,000 | – | $6,000,000 |
| The Holiday no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $85,000,000 | $205,100,000 | $12,750,000 |
| Alfie no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $40,000,000 | – | $6,000,000 |
| Closer no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $27,000,000 | $115,500,000 | $4,050,000 |
| I Heart Huckabees no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $20,000,000 | $20,100,000 | $3,000,000 |
| Lemony Snicket's A Series of Unfortunate Events no disclosed fee: modeled on the $10.0M median for its era and budget band | 2004 | Lead | $141,000,000 | $211,500,000 | $10,000,000 |
| Sky Captain and the World of Tomorrow no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $70,000,000 | $57,958,696 | $10,500,000 |
| The Aviator (2004 film) no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $40,000,000 | – | $6,000,000 |
| Cold Mountain no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $79,000,000 | $173,000,000 | $11,850,000 |
| Doctor Faustus no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $40,000,000 | – | $6,000,000 |
| Road to Perdition no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $80,000,000 | $183,400,000 | $12,000,000 |
| A.I. Artificial Intelligence no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $95,000,000 | $235,900,000 | $14,250,000 |
| Enemy at the Gates no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $40,000,000 | – | $6,000,000 |
| Love, Honour and Obey no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2000 | Lead | $40,000,000 | – | $6,000,000 |
| 'Tis Pity She's a Whore no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Existenz no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Presence of Mind no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| The Talented Mr. Ripley (film) no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $40,000,000 | $128,798,265 | $6,000,000 |
| Tube Tales no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Final Cut no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| Music from Another Room no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| The Wisdom of Crocodiles no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| Bent no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1997 | Lead | $26,000,000 | $496,059 | $375,000 |
| Gattaca no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1997 | Lead | $26,000,000 | – | $375,000 |
| Midnight in the Garden of Good and Evil no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1997 | Lead | $26,000,000 | – | $375,000 |
| Wilde no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1997 | Lead | $26,000,000 | – | $375,000 |
| I Love You, I Love You Not no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Indiscretions no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1995 | Lead | $26,000,000 | – | $375,000 |
| Ion no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1995 | Lead | $26,000,000 | – | $375,000 |
| Les Parents terribles no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1994 | Lead | $26,000,000 | – | $375,000 |
| Shopping no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1994 | Lead | $26,000,000 | – | $375,000 |
| Death of a Salesman no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1993 | Lead | $26,000,000 | – | $375,000 |
| Gate Theatre (London) no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1993 | Lead | $26,000,000 | – | $375,000 |
| Royal Court Theatre no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1993 | Lead | $26,000,000 | – | $375,000 |
| Pygmalion no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1992 | Lead | $26,000,000 | – | $375,000 |
| The Fastest Clock in the Universe no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1992 | Lead | $26,000,000 | – | $375,000 |
| Families no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1990 | Lead | $26,000,000 | – | $375,000 |
| National Youth Music Theatre no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1990 | Lead | $26,000,000 | – | $375,000 |
| Joseph and the Amazing Technicolor Dreamcoat no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| The Caucasian Chalk Circle no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| The Tailor of Gloucester (film) no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1989 | Lead | $14,000,000 | – | $68,750 |
| National Youth Music Theatre no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1988 | Lead | $14,000,000 | – | $68,750 |
| National Youth Music Theatre no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1987 | Lead | $14,000,000 | – | $68,750 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $1,455,704 | $218,356 | 40% | $467,718 | $274,691 | $319,806,454 |
| 2025 | $29,611,628 | $4,441,744 | 40% | $7,399,946 | $7,701,985 | $319,531,762 |
| 2024 | $26,518,956 | $3,977,843 | 40% | $6,627,087 | $6,897,581 | $282,501,592 |
| 2023 | $21,236,882 | $3,185,532 | 40% | $5,307,097 | $5,523,713 | $246,542,561 |
| 2022 | $17,783,572 | $2,667,536 | 40% | $4,444,115 | $4,625,507 | $212,029,347 |
| 2021 | $1,946,061 | $291,909 | 40% | $486,321 | $506,171 | $247,115,263 |
| 2020 | $30,781,060 | $4,617,159 | 40% | $7,692,187 | $8,006,154 | $218,967,510 |
| 2019 | $28,885,742 | $4,332,861 | 40% | $7,218,547 | $7,513,182 | $190,621,301 |
| 2018 | $24,876,644 | $3,731,497 | 40% | $6,216,673 | $6,470,415 | $156,490,896 |
| 2017 | $27,596,728 | $4,139,509 | 40% | $6,896,422 | $7,177,909 | $154,056,768 |
| 2016 | $10,332,802 | $1,549,920 | 40% | $2,582,167 | $2,687,562 | $132,290,402 |
| 2015 | $18,097,292 | $2,714,594 | 40% | $4,522,513 | $4,707,106 | $121,964,910 |
| 2014 | $11,557,582 | $1,733,637 | 40% | $2,888,240 | $3,006,127 | $116,329,495 |
| 2013 | $7,080,348 | $1,062,052 | 40% | $1,769,379 | $1,841,598 | $104,874,665 |
| 2012 | $14,146,924 | $2,122,039 | 40% | $3,535,316 | $3,679,615 | $90,254,160 |
| 2011 | $48,913,231 | $7,336,985 | 40% | $12,223,416 | $12,722,331 | $79,738,706 |
| 2010 | $7,082,498 | $1,062,375 | 40% | $1,769,916 | $1,842,158 | $64,847,862 |
| 2009 | $32,611,849 | $4,891,777 | 40% | $8,149,701 | $8,482,342 | $57,880,927 |
| 2008 | $809,478 | $121,422 | 40% | $260,085 | $152,748 | $42,968,368 |
| 2007 | $12,864,091 | $1,929,614 | 40% | $3,214,736 | $3,345,950 | $53,586,508 |
| 2006 | $34,326,557 | $5,148,984 | 40% | $8,578,207 | $8,928,337 | $48,472,289 |
| 2005 | $669,232 | $100,385 | 40% | $215,024 | $126,284 | $37,051,844 |
| 2004 | $41,219,332 | $6,182,900 | 40% | $10,300,711 | $10,721,148 | $36,077,029 |
| 2003 | $12,705,768 | $1,905,865 | 40% | $3,175,172 | $3,304,770 | $24,158,581 |
| 2002 | $18,778,684 | $2,816,803 | 40% | $4,692,793 | $4,884,336 | $18,734,894 |
| 2001 | $21,049,368 | $3,157,405 | 40% | $5,260,237 | $5,474,941 | $15,247,202 |
| 2000 | $6,076,801 | $911,520 | 40% | $1,518,593 | $1,580,576 | $10,154,054 |
| 1999 | $21,994,807 | $3,299,221 | 40% | $5,496,502 | $5,720,849 | $8,643,490 |
| 1998 | $1,125,295 | $168,794 | 40% | $281,211 | $292,689 | $2,721,774 |
| 1997 | $1,500,000 | $225,000 | 40% | $374,850 | $390,150 | $2,161,646 |
| 1996 | $375,000 | $56,250 | 40% | $120,488 | $70,762 | $1,549,486 |
| 1995 | $750,000 | $112,500 | 40% | $187,425 | $195,075 | $1,354,911 |
| 1994 | $750,000 | $112,500 | 40% | $187,425 | $195,075 | $983,212 |
| 1993 | $1,125,000 | $168,750 | 40% | $281,138 | $292,612 | $791,144 |
| 1992 | $750,000 | $112,500 | 40% | $187,425 | $195,075 | $470,445 |
| 1991 | $0 | $0 | 40% | $0 | $0 | $263,467 |
| 1990 | $750,000 | $112,500 | 40% | $187,425 | $195,075 | $229,485 |
| 1989 | $206,250 | $30,938 | 40% | $79,942 | $25,245 | $34,058 |
| 1988 | $68,750 | $10,313 | 40% | $31,206 | $3,857 | $7,671 |
| 1987 | $68,750 | $10,313 | 45% | $28,605 | $3,535 | $3,535 |
Model Notes
- RESIDENCE PROXY: residence not individually sourced for this batch; US-CA default applied until documented
Methodology
We rebuild Jude’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Jude Law's net worth in 2026?
As of 2026, Jude Law's net worth is an estimated $319.8 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Jude Law make money?
Film salaries and documented backend participation.
How is Jude Law's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Jude actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Jude Law make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Jude lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Jude Law rich compared to the average person?
Yes. A net worth of $319.8 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
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About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.