Rob Lowe Net Worth 2026
Last updated July 15, 2026
As of 2026, Rob Lowe has an estimated net worth of $379.0 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians

Fast Facts
| Birthdate | March 17, 1964 |
|---|---|
| Birthplace | Charlottesville |
| Breakthrough | The Outsiders (1983) |
| Best Known | The West Wing (1999) |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (91 of 122 films) era and budget-band medians of disclosed lead salaries | $457,470,000 |
| Film pay, modeled supporting and early roles (31 of 122 films) 2.5% of era medians: the pre-stardom rate | $15,675,000 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 13 undisclosed lead roles | $3,623,803 |
| Endorsements, estimated (1 documented brand partnerships) 1 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $11,550,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $7,915,127 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $261,027,033 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$74,343,737 |
| Taxes US-CA effective rates, year by year | -$189,443,169 |
| Personal spending measured household savings rates by income | -$113,828,252 |
| Estimated net worth | $379,036,790 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| My New Friend Jim no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| The Musical no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| The Third Parent no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| Untitled Stephen Merchant film no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2026 | Lead | $70,000,000 | – | $10,500,000 |
| Dayton Region Walk of Fame no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2025 | Supporting | $70,000,000 | – | $625,000 |
| Brats (2024 film) no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2024 | Supporting | $70,000,000 | – | $625,000 |
| Savannah College of Art and Design no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2024 | Supporting | $70,000,000 | – | $625,000 |
| Dog Gone no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | – | $10,500,000 |
| The Floor no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2023 | Supporting | $70,000,000 | – | $625,000 |
| The Simpsons no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2023 | Supporting | $75,000,000 | $536,400,000 | $625,000 |
| Unstable no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | – | $10,500,000 |
| The '80s: Top Ten no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2022 | Supporting | $70,000,000 | – | $625,000 |
| The Pentaverate no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2022 | Supporting | $70,000,000 | – | $625,000 |
| Attack of the Hollywood Cliches! no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2021 | Supporting | $70,000,000 | – | $625,000 |
| 9-1-1: Lone Star no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| A West Wing Special to Benefit When We All Vote no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2020 | Lead | $70,000,000 | – | $10,500,000 |
| Madness in the Hills no disclosed fee: 2.5% of the $25.0M median for its era and budget band | 2020 | Supporting | $70,000,000 | – | $625,000 |
| Holiday in the Wild no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $40,000,000 | – | $6,000,000 |
| Mental Samurai no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2019 | Supporting | $40,000,000 | – | $500,000 |
| Wild Bill no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2019 | Lead | $30,000,000 | – | $4,500,000 |
| Horatio Alger Association of Distinguished Americans no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2018 | Supporting | $40,000,000 | – | $500,000 |
| Super Troopers 2 no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2018 | Lead | $13,500,000 | $26,210,667 | $2,025,000 |
| The Bad Seed no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2018 | Lead | $1,000,000 | – | $150,000 |
| How to Be a Latin Lover no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2017 | Lead | $11,500,000 | $62,600,000 | $1,725,000 |
| Mune: Guardian of the Moon no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2017 | Supporting | $40,000,000 | – | $500,000 |
| The Lion Guard: The Rise of Scar no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2017 | Supporting | $40,000,000 | – | $500,000 |
| The Lowe Files no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2017 | Supporting | $40,000,000 | – | $500,000 |
| The Orville no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2017 | Lead | $40,000,000 | – | $6,000,000 |
| Code Black no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| Monster Trucks no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $125,000,000 | $64,500,000 | $18,750,000 |
| Pocket Listing no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| The Lion Guard no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2016 | Supporting | $40,000,000 | – | $500,000 |
| Beautiful & Twisted no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Hollywood Walk of Fame no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| Moonbeam City no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| The Grinder no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| The Lion Guard: Return of the Roar no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2015 | Supporting | $40,000,000 | – | $500,000 |
| You, Me and the Apocalypse no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $40,000,000 | – | $6,000,000 |
| Sex Tape no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | $126,300,000 | $6,000,000 |
| The Interview no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2014 | Supporting | $44,000,000 | $12,300,000 | $500,000 |
| The Pro no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | – | $6,000,000 |
| Behind the Candelabra no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $22,800,000 | $13,400,000 | $3,420,000 |
| Franklin & Bash no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2013 | Supporting | $40,000,000 | – | $500,000 |
| Killing Kennedy no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $40,000,000 | – | $6,000,000 |
| Prosecuting Casey Anthony no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $40,000,000 | – | $6,000,000 |
| Drew Peterson no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $40,000,000 | – | $6,000,000 |
| Knife Fight no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2012 | Lead | $40,000,000 | – | $6,000,000 |
| Who Do You Think You Are? no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2012 | Supporting | $40,000,000 | – | $500,000 |
| Breakaway no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2011 | Lead | $12,000,000 | – | $1,800,000 |
| Californication no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| I Melt with You no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| Young Justice no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2011 | Supporting | $40,000,000 | – | $500,000 |
| Majesty no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2009 | Supporting | $40,000,000 | – | $500,000 |
| The Invention of Lying no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2009 | Lead | $18,500,000 | $32,406,507 | $2,775,000 |
| Too Late to Say Goodbye no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Stir of Echoes: The Homecoming no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $40,000,000 | – | $6,000,000 |
| A Perfect Day no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $40,000,000 | – | $6,000,000 |
| Brothers & Sisters no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $40,000,000 | – | $6,000,000 |
| Family Guy no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2006 | Supporting | $40,000,000 | – | $500,000 |
| A Few Good Men no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $40,000,000 | – | $6,000,000 |
| Beach Girls no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $40,000,000 | – | $6,000,000 |
| Thank You for Smoking no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $40,000,000 | – | $6,000,000 |
| The Christmas Blessing no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $40,000,000 | – | $6,000,000 |
| Dr. Vegas no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $40,000,000 | – | $6,000,000 |
| Jiminy Glick in Lalawood no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2004 | Supporting | $40,000,000 | – | $500,000 |
| Perfect Strangers no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $40,000,000 | – | $6,000,000 |
| Salem's Lot no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $40,000,000 | – | $6,000,000 |
| The Lyon's Den no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $40,000,000 | – | $6,000,000 |
| View from the Top no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $30,000,000 | $19,500,000 | $4,500,000 |
| Austin Powers in Goldmember no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $63,000,000 | $296,700,000 | $9,450,000 |
| Framed no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $40,000,000 | – | $6,000,000 |
| James Madison no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2002 | Supporting | $40,000,000 | – | $500,000 |
| The Christmas Shoes no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2002 | Lead | $40,000,000 | – | $6,000,000 |
| Jane Doe no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $40,000,000 | – | $6,000,000 |
| Proximity no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2001 | Lead | $40,000,000 | – | $6,000,000 |
| Escape Under Pressure no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2000 | Lead | $40,000,000 | – | $6,000,000 |
| The Specials no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2000 | Lead | $40,000,000 | – | $6,000,000 |
| Atomic Train no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Austin Powers: The Spy Who Shagged Me no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $33,000,000 | $312,016,858 | $4,950,000 |
| Dead Silent no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| The West Wing no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Winding Roads no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $26,000,000 | – | $3,900,000 |
| Crazy Six no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $26,000,000 | – | $3,900,000 |
| For Hire no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $26,000,000 | – | $3,900,000 |
| One Hell of a Guy no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $26,000,000 | – | $3,900,000 |
| Outrage no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1998 | Lead | $26,000,000 | – | $3,900,000 |
| Stories from My Childhood no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Supporting | $26,000,000 | – | $375,000 |
| Austin Powers: International Man of Mystery no disclosed fee: 2.5% of the $2.0M median for its era and budget band | 1997 | Supporting | $16,500,000 | $67,711,748 | $50,000 |
| Contact no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $26,000,000 | – | $3,900,000 |
| Hostile Intent no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $26,000,000 | – | $3,900,000 |
| Living in Peril no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $26,000,000 | – | $3,900,000 |
| Midnight Man no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $26,000,000 | – | $3,900,000 |
| First Degree no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $26,000,000 | – | $3,900,000 |
| Fox Hunt no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $26,000,000 | – | $3,900,000 |
| Mulholland Falls no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Supporting | $26,000,000 | – | $375,000 |
| On Dangerous Ground no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $26,000,000 | – | $3,900,000 |
| The Larry Sanders Show no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1995 | Supporting | $26,000,000 | – | $375,000 |
| Tommy Boy no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1995 | Supporting | $26,000,000 | – | $375,000 |
| Frank and Jesse no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1994 | Lead | $26,000,000 | – | $3,900,000 |
| The Stand no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1994 | Lead | $26,000,000 | – | $3,900,000 |
| Great Performances no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1993 | Lead | $26,000,000 | – | $3,900,000 |
| The Finest Hour no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $26,000,000 | – | $3,900,000 |
| Wayne's World no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $20,000,000 | $183,097,323 | $3,000,000 |
| If The Shoe Fits no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $26,000,000 | – | $3,900,000 |
| The Dark Backward no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $26,000,000 | – | $3,900,000 |
| Bad Influence no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1990 | Lead | $26,000,000 | – | $3,900,000 |
| If the Shoe Fits no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1990 | Lead | $26,000,000 | – | $3,900,000 |
| Illegally Yours no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1988 | Lead | $14,000,000 | – | $2,100,000 |
| Masquerade no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1988 | Lead | $14,000,000 | – | $2,100,000 |
| Square Dance no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1987 | Lead | $14,000,000 | – | $2,100,000 |
| Three Sisters no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1987 | Lead | $14,000,000 | – | $2,100,000 |
| About Last Night no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1986 | Lead | $14,000,000 | – | $2,100,000 |
| Youngblood no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1986 | Lead | $8,000,000 | $15,448,384 | $1,200,000 |
| Love Theme from St. Elmo's Fire no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1985 | Lead | $14,000,000 | – | $2,100,000 |
| St. Elmo's Fire no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1985 | Lead | $14,000,000 | – | $2,100,000 |
| St. Elmo's Fire (Man in Motion) no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1985 | Lead | $14,000,000 | – | $2,100,000 |
| Oxford Blues no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1984 | Lead | $14,000,000 | – | $2,100,000 |
| The Hotel New Hampshire no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1984 | Lead | $5,500,000 | $5,100,000 | $825,000 |
| Turn to You no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1984 | Lead | $14,000,000 | – | $2,100,000 |
| Class no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1983 | Lead | $14,000,000 | – | $2,100,000 |
| The Outsiders no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1983 | Lead | $10,000,000 | $25,800,000 | $1,500,000 |
| Thursday's Child no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1983 | Lead | $14,000,000 | – | $2,100,000 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $42,168,308 | $6,325,246 | 45% | $9,659,705 | $10,053,979 | $379,036,790 |
| 2025 | $4,643,308 | $696,496 | 45% | $1,063,666 | $1,107,081 | $368,982,811 |
| 2024 | $5,345,102 | $801,765 | 45% | $1,224,429 | $1,274,406 | $335,769,455 |
| 2023 | $26,275,820 | $3,941,373 | 45% | $6,019,133 | $6,264,812 | $301,735,614 |
| 2022 | $1,425,820 | $213,873 | 45% | $419,939 | $246,631 | $262,423,775 |
| 2021 | $800,820 | $120,123 | 45% | $235,861 | $138,522 | $312,375,961 |
| 2020 | $21,800,820 | $3,270,123 | 45% | $4,994,023 | $5,197,860 | $279,714,979 |
| 2019 | $11,195,069 | $1,679,260 | 45% | $2,564,510 | $2,669,184 | $249,951,850 |
| 2018 | $2,934,784 | $440,218 | 45% | $672,286 | $699,726 | $213,790,281 |
| 2017 | $9,559,061 | $1,433,859 | 47% | $2,110,115 | $2,196,242 | $218,823,737 |
| 2016 | $31,551,568 | $4,732,735 | 47% | $6,964,851 | $7,249,130 | $196,653,408 |
| 2015 | $19,604,002 | $2,940,600 | 47% | $4,327,486 | $4,504,118 | $179,075,219 |
| 2014 | $12,914,069 | $1,937,110 | 47% | $2,850,716 | $2,967,072 | $173,297,366 |
| 2013 | $15,991,877 | $2,398,782 | 47% | $3,530,127 | $3,674,214 | $158,564,787 |
| 2012 | $12,707,072 | $1,906,061 | 43% | $3,016,722 | $3,139,854 | $137,021,588 |
| 2011 | $14,507,072 | $2,176,061 | 43% | $3,444,051 | $3,584,625 | $123,438,810 |
| 2010 | $207,072 | $31,061 | 43% | $76,248 | $24,078 | $116,025,349 |
| 2009 | $9,747,423 | $1,462,113 | 43% | $2,314,087 | $2,408,539 | $106,680,097 |
| 2008 | $373,161 | $55,974 | 43% | $137,405 | $43,391 | $91,717,698 |
| 2007 | $6,382,911 | $957,437 | 43% | $1,515,335 | $1,577,185 | $114,736,304 |
| 2006 | $12,882,911 | $1,932,437 | 43% | $3,058,468 | $3,183,303 | $108,224,099 |
| 2005 | $24,382,911 | $3,657,437 | 43% | $5,788,625 | $6,024,895 | $96,894,400 |
| 2004 | $18,882,911 | $2,832,437 | 43% | $4,482,898 | $4,665,873 | $88,274,241 |
| 2003 | $10,931,057 | $1,639,659 | 43% | $2,595,088 | $2,701,010 | $78,730,984 |
| 2002 | $23,162,648 | $3,474,397 | 46% | $5,209,511 | $5,422,144 | $66,612,616 |
| 2001 | $12,303,848 | $1,845,577 | 46% | $2,767,259 | $2,880,208 | $67,360,713 |
| 2000 | $12,303,848 | $1,845,577 | 46% | $2,767,259 | $2,880,208 | $66,999,694 |
| 1999 | $21,624,226 | $3,243,634 | 46% | $4,863,505 | $5,062,015 | $64,643,095 |
| 1998 | $16,093,510 | $2,414,027 | 46% | $3,619,591 | $3,767,330 | $54,548,940 |
| 1997 | $15,758,760 | $2,363,814 | 46% | $3,544,303 | $3,688,968 | $43,980,089 |
| 1996 | $12,192,936 | $1,828,940 | 46% | $2,742,313 | $2,854,244 | $34,171,081 |
| 1995 | $867,936 | $130,190 | 46% | $195,208 | $203,175 | $28,299,795 |
| 1994 | $7,920,966 | $1,188,145 | 46% | $1,781,504 | $1,854,219 | $23,228,410 |
| 1993 | $4,036,291 | $605,444 | 46% | $907,802 | $944,855 | $21,455,723 |
| 1992 | $7,488,363 | $1,123,254 | 36% | $1,996,098 | $2,077,571 | $19,175,307 |
| 1991 | $7,827,531 | $1,174,130 | 36% | $2,086,507 | $2,171,670 | $16,241,639 |
| 1990 | $7,827,531 | $1,174,130 | 36% | $2,086,507 | $2,171,670 | $11,997,313 |
| 1989 | $27,531 | $4,130 | 36% | $13,329 | $1,647 | $9,708,750 |
| 1988 | $4,227,531 | $634,130 | 36% | $1,126,891 | $1,172,886 | $8,269,739 |
| 1987 | $4,227,531 | $634,130 | 45% | $968,422 | $1,007,949 | $6,499,902 |
| 1986 | $3,365,673 | $504,851 | 55% | $630,811 | $656,559 | $5,333,287 |
| 1985 | $6,318,355 | $947,753 | 55% | $1,184,218 | $1,232,553 | $4,171,293 |
| 1984 | $5,055,947 | $758,392 | 55% | $947,611 | $986,289 | $2,458,867 |
| 1983 | $5,779,026 | $866,854 | 45% | $1,323,830 | $1,377,864 | $1,377,864 |
Model Notes
- RESIDENCE PROXY: residence not individually sourced for this batch; US-CA default applied until documented
Methodology
We rebuild Rob’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Rob Lowe's net worth in 2026?
As of 2026, Rob Lowe's net worth is an estimated $379.0 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Rob Lowe make money?
Film salaries and documented backend participation.
How is Rob Lowe's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Rob actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Rob Lowe make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Rob lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Rob Lowe rich compared to the average person?
Yes. A net worth of $379.0 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
Explore Other Actors
About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.