Ryan Gosling Net Worth 2026
Last updated July 15, 2026
As of 2026, Ryan Gosling has an estimated net worth of $108.9 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians
Fast Facts
| Birthdate | November 12, 1980 |
|---|---|
| Birthplace | London |
| Breakthrough | The Notebook (2004) |
| Best Known | La La Land (2016) |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (30 of 52 films) era and budget-band medians of disclosed lead salaries | $209,381,413 |
| Film pay, modeled supporting and early roles (22 of 52 films) 2.5% of era medians: the pre-stardom rate | $8,101,577 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 16 undisclosed lead roles | $4,463,063 |
| Endorsements, estimated (2 documented brand partnerships) 2 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $23,100,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $9,814,272 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $48,759,772 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$38,205,916 |
| Taxes US-CA effective rates, year by year | -$97,648,813 |
| Personal spending measured household savings rates by income | -$58,687,148 |
| Estimated net worth | $108,924,003 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| Project Hail Mary no disclosed fee: modeled on the $15.0M median for its era and budget band | 2026 | Lead | $200,000,000 | – | $15,000,000 |
| The Actor (2025 film) no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2025 | Lead | $42,753 | $42,753 | $6,413 |
| The Fall Guy (2024 film) no disclosed fee: modeled on the $15.0M median for its era and budget band | 2024 | Lead | $130,000,000 | – | $15,000,000 |
| Barbie no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | – | $10,500,000 |
| I'm Just Ken no disclosed fee: modeled on the $25.0M median for its era and budget band, capped at 15% of budget | 2023 | Lead | $70,000,000 | – | $10,500,000 |
| The Gray Man (2022 film) no disclosed fee: modeled on the $15.0M median for its era and budget band | 2022 | Lead | $200,000,000 | – | $15,000,000 |
| My Favorite Shapes by Julio Torres no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2019 | Supporting | $40,000,000 | – | $500,000 |
| First Man no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2018 | Lead | $59,000,000 | – | $8,850,000 |
| Blade Runner 2049 no disclosed fee: modeled on the $20.0M median for its era and budget band | 2017 | Lead | $150,000,000 | $259,239,658 | $20,000,000 |
| City of Stars no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| Emma Stone no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | – | $6,000,000 |
| La La Land no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $30,000,000 | $471,981,104 | $4,500,000 |
| The Nice Guys no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $50,000,000 | $62,800,000 | $7,500,000 |
| The Big Short (film) no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2015 | Lead | $28,000,000 | $133,346,506 | $4,200,000 |
| Lost River no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2014 | Lead | $40,000,000 | – | $6,000,000 |
| My Life Directed by Nicolas Winding Refn no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2014 | Supporting | $40,000,000 | – | $500,000 |
| Gangster Squad no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $67,500,000 | $105,200,000 | $10,125,000 |
| Only God Forgives no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2013 | Lead | $4,800,000 | $10,600,000 | $720,000 |
| White Shadow no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2013 | Lead | $40,000,000 | – | $6,000,000 |
| The Place Beyond the Pines no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2012 | Lead | $15,000,000 | $47,100,000 | $2,250,000 |
| Crazy, Stupid, Love no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $50,000,000 | $142,900,000 | $7,500,000 |
| Drive no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| The Ides of March (2011 film) no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2011 | Lead | $12,500,000 | $76,300,000 | $1,875,000 |
| You Always Hurt the One You Love no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $40,000,000 | – | $6,000,000 |
| All Good Things no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2010 | Lead | $40,000,000 | – | $6,000,000 |
| Blue Valentine no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2010 | Lead | $1,000,000 | $15,440,333 | $150,000 |
| ReGeneration no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2010 | Supporting | $40,000,000 | – | $500,000 |
| Dead Man's Bones no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $40,000,000 | – | $6,000,000 |
| Fracture no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2007 | Lead | $92,000,000 | $92,000,000 | $13,800,000 |
| Lars and the Real Girl no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2007 | Lead | $12,000,000 | $11,293,663 | $1,800,000 |
| Half Nelson no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2006 | Lead | $700,000 | $4,900,000 | $105,000 |
| Stay no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $50,000,000 | $8,400,000 | $7,500,000 |
| The Notebook no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2004 | Lead | $30,000,000 | $15,533,000 | $4,500,000 |
| The United States of Leland no disclosed fee: 2.5% of the $20.0M era median, capped at 15% of budget | 2003 | Lead | $343,847 | $343,847 | $51,577 |
| Murder by Numbers no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2002 | Lead | $50,000,000 | $56,700,000 | $500,000 |
| The Slaughter Rule no disclosed fee: 2.5% of the $20.0M era median, capped at 15% of budget | 2002 | Lead | $500,000 | $13,411 | $75,000 |
| The Believer (2001 film) no disclosed fee: 2.5% of the $20.0M era median, capped at 15% of budget | 2001 | Lead | $1,500,000 | $1,300,000 | $225,000 |
| Remember the Titans no disclosed fee: 2.5% of the $20.0M median for its era and budget band | 2000 | Lead | $30,000,000 | $136,800,000 | $500,000 |
| The Unbelievables no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1999 | Lead | $26,000,000 | – | $375,000 |
| Hercules: The Legendary Journeys no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| Nothing Too Good for a Cowboy no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| Young Hercules no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1998 | Lead | $26,000,000 | – | $375,000 |
| Breaker High no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Flash Forward no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Frankenstein and Me no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Goosebumps no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Kung Fu: The Legend Continues no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| PSI Factor: Chronicles of the Paranormal no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Ready or Not no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Road to Avonlea no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| The Adventures of Shirley Holmes no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1996 | Lead | $26,000,000 | – | $375,000 |
| Are You Afraid of the Dark? no disclosed fee: 2.5% of the $15.0M median for its era and budget band | 1995 | Lead | $26,000,000 | – | $375,000 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $15,471,674 | $2,320,751 | 45% | $3,544,174 | $3,688,834 | $108,924,003 |
| 2025 | $8,257,400 | $1,238,610 | 45% | $1,891,564 | $1,968,771 | $105,235,169 |
| 2024 | $23,250,856 | $3,487,628 | 45% | $5,326,190 | $5,543,585 | $94,253,846 |
| 2023 | $29,319,641 | $4,397,946 | 45% | $6,716,397 | $6,990,535 | $80,022,245 |
| 2022 | $15,647,619 | $2,347,143 | 45% | $3,584,478 | $3,730,784 | $64,863,455 |
| 2021 | $777,824 | $116,674 | 45% | $229,088 | $134,544 | $72,837,688 |
| 2020 | $786,995 | $118,049 | 45% | $231,790 | $136,130 | $65,130,429 |
| 2019 | $1,286,995 | $193,049 | 45% | $379,052 | $222,618 | $59,178,259 |
| 2018 | $9,636,995 | $1,445,549 | 45% | $2,207,595 | $2,297,701 | $50,970,588 |
| 2017 | $21,488,421 | $3,223,263 | 47% | $4,743,461 | $4,937,072 | $49,982,428 |
| 2016 | $26,017,662 | $3,902,649 | 47% | $5,743,269 | $5,977,688 | $40,891,959 |
| 2015 | $4,913,839 | $737,076 | 47% | $1,084,705 | $1,128,979 | $33,010,241 |
| 2014 | $6,814,622 | $1,022,193 | 47% | $1,504,294 | $1,565,694 | $31,648,644 |
| 2013 | $17,445,740 | $2,616,861 | 47% | $3,851,060 | $4,008,246 | $28,004,981 |
| 2012 | $2,646,020 | $396,903 | 43% | $628,178 | $653,818 | $21,228,346 |
| 2011 | $22,168,734 | $3,325,310 | 43% | $5,262,968 | $5,477,783 | $18,969,692 |
| 2010 | $6,891,701 | $1,033,755 | 43% | $1,636,124 | $1,702,905 | $13,060,899 |
| 2009 | $6,194,407 | $929,161 | 43% | $1,470,583 | $1,530,607 | $10,445,333 |
| 2008 | $194,407 | $29,161 | 43% | $83,829 | $10,361 | $7,841,431 |
| 2007 | $16,049,441 | $2,407,416 | 43% | $3,810,218 | $3,965,737 | $9,801,088 |
| 2006 | $250,148 | $37,522 | 43% | $92,110 | $29,087 | $5,580,864 |
| 2005 | $7,650,879 | $1,147,632 | 43% | $1,816,357 | $1,890,494 | $5,121,211 |
| 2004 | $4,663,501 | $699,525 | 43% | $1,107,139 | $1,152,328 | $3,138,447 |
| 2003 | $167,296 | $25,094 | 43% | $72,139 | $8,916 | $1,870,257 |
| 2002 | $657,031 | $98,555 | 46% | $189,994 | $111,584 | $1,630,788 |
| 2001 | $306,259 | $45,939 | 46% | $106,835 | $33,738 | $1,672,396 |
| 2000 | $500,000 | $75,000 | 46% | $144,585 | $84,915 | $1,702,679 |
| 1999 | $375,000 | $56,250 | 46% | $108,439 | $63,686 | $1,630,975 |
| 1998 | $1,125,000 | $168,750 | 46% | $253,024 | $263,351 | $1,434,917 |
| 1997 | $0 | $0 | 46% | $0 | $0 | $1,014,650 |
| 1996 | $3,375,000 | $506,250 | 46% | $759,071 | $790,054 | $860,530 |
| 1995 | $375,000 | $56,250 | 46% | $108,439 | $63,686 | $63,686 |
Model Notes
- RESIDENCE PROXY: residence not individually sourced for this batch; US-CA default applied until documented
Methodology
We rebuild Ryan’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Ryan Gosling's net worth in 2026?
As of 2026, Ryan Gosling's net worth is an estimated $108.9 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Ryan Gosling make money?
Film salaries and documented backend participation.
How is Ryan Gosling's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Ryan actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Ryan Gosling make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Ryan lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Ryan Gosling rich compared to the average person?
Yes. A net worth of $108.9 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
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About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.