Steve Martin Net Worth 2026
Last updated July 17, 2026
As of 2026, Steve Martin has an estimated net worth of $455.2 Million, computed film by film and year by year from public records and published rates. Every input, rate, and source behind the number is on this page.
Calculation
- Disclosed salaries and documented backend, each with a citation
- Undisclosed roles modeled from disclosed comparables for their era, budget band, and career stage
- Backend, endorsements, and producing credits estimated from disclosed medians

Fast Facts
| Birthdate | n/a |
|---|---|
| Birthplace | n/a |
| Breakthrough | career breakthrough modeled at 1979 |
| Best Known | Picasso at the Lapin Agile |
Data
Every line below is computed from public data and the published rate tables on our methodology page. Confidence: Grade C. Documented numbers cover only a small share of this figure, so most of it is modeled from published rates and comparables (grades run from A, mostly documented, to C, mostly modeled).
The Calculation
| Line | Amount |
|---|---|
| Revenue | |
| Film pay, modeled lead roles (60 of 95 films) era and budget-band medians of disclosed lead salaries | $220,096,532 |
| Film pay, modeled supporting and early roles (35 of 95 films) 2.5% of era medians: the pre-stardom rate | $7,487,500 |
| Backend points, estimated 12% of disclosed lead deals included points, at a median 2.6% of box office; applied as an expected value to 33 undisclosed lead roles | $5,833,395 |
| Endorsements, estimated (1 documented brand partnerships) 1 named partnerships x the $5.5M median disclosed ambassador fee x the 2.1-year median disclosed term | $11,550,000 |
| Residuals, estimated SAG residual rates (3.6% of distributor receipts in the post-theatrical windows) on receipts assumed at half of box office, split by role share and spread over the ten years after each release | $11,377,808 |
| Arena stand-up and comedy records (modeled) He was the biggest stand-up in America at the end of the 1970s, the first comedian to fill arenas, drawing crowds near 30,000 by 1979. Let's Get Small went platinum and A Wild and Crazy Guy followed it, and both took the comedy Grammy. Ticket grosses were not tracked in that era, so this books modeled touring and record income across the run. (riaa.com) | $21,500,000 |
| Only Murders in the Building (modeled) He co-created the Hulu series and has led it since 2021. No salary has been reported by the trades, so this books a modeled fee for a flagship streaming half-hour across the seasons that aired. His creator and writing credits are likely worth more again and are not counted here. (variety.com) | $20,000,000 |
| Touring with Martin Short (modeled) The two-hander show has toured since 2015. Pollstar put the 2022 dates near $400,000 a night, with two nights at the Beacon taking $841,543. Those are venue grosses that the promoter, the hall and Short all draw from, so this books a modeled performer share rather than the gate. (pollstar.com) | $23,500,000 |
| Hotel Window by Edward Hopper, sold at Sotheby's (modeled net) He is a serious collector, and the Hopper is the one trade with a hard number on it: Sotheby's sold it out of his collection in November 2006 for $26,896,000, a record for the artist and past the $10M to $15M estimate. What he paid for it has never been published, so this books the sale net of a modeled purchase cost and the auction commission rather than the full hammer price. (sothebys.com) | $14,000,000 |
| Investment returns on savings actual 60/40 portfolio returns each year, after tax | $360,094,535 |
| Beverly Hills house appreciation, estimated documented $3,175,000 purchase in 1995 (bought in 1995 for $3,175,000, with the lot next door added in 1997), 6.0%/yr US-CA appreciation, net 7% selling costs; the purchase itself is already counted in savings (variety.com) | $14,801,639 |
| Expenses | |
| Representation fees agent 10% + attorney 5% | -$50,301,385 |
| Taxes US-CA effective rates, year by year | -$126,909,097 |
| Personal spending measured household savings rates by income | -$77,839,665 |
| Estimated net worth | $455,188,594 |
Film by Film
| Film | Year | Role | Budget | Box office | Pay counted |
|---|---|---|---|---|---|
| Lorne no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2026 | Lead | – | $449,135 | $3,000,000 |
| John Candy: I Like Me no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2025 | Lead | – | – | $3,000,000 |
| Saturday Night Live 50th Anniversary Special no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2025 | Supporting | – | – | $500,000 |
| Steve! (Martin): A Documentary in 2 Pieces no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2024 | Supporting | – | – | $500,000 |
| Gutenberg! The Musical! no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2023 | Supporting | – | – | $500,000 |
| Cruel Shoes no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2020 | Supporting | – | – | $500,000 |
| Father of the Bride Part 3(ish) no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2020 | Lead | – | – | $3,000,000 |
| An Evening You Will Forget for the Rest of Your Life no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2018 | Lead | – | – | $3,000,000 |
| Only Murders in the Building no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2018 | Lead | – | – | $3,000,000 |
| The American Epic Sessions no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2017 | Supporting | – | – | $500,000 |
| Billy Lynn's Long Halftime Walk no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2016 | Lead | $40,000,000 | $31,000,000 | $6,000,000 |
| Maya & Marty no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2016 | Supporting | – | – | $500,000 |
| Meteor Shower no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2016 | Lead | – | – | $3,000,000 |
| Oh, Hello on Broadway no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2016 | Supporting | – | – | $500,000 |
| Home no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2015 | Supporting | – | – | $500,000 |
| Love the Coopers no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2015 | Supporting | – | – | $500,000 |
| Bright Star no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2014 | Lead | – | – | $3,000,000 |
| The Big Year no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2011 | Lead | $41,000,000 | $7,400,000 | $6,150,000 |
| It's Complicated no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2009 | Lead | – | $219,000,000 | $3,000,000 |
| The Pink Panther 2 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2009 | Lead | $70,000,000 | $76,000,000 | $10,500,000 |
| 30 Rock no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2008 | Lead | – | – | $3,000,000 |
| Baby Mama no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2008 | Lead | $30,000,000 | $64,400,000 | $4,500,000 |
| Traitor no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2008 | Lead | – | – | $3,000,000 |
| The Pink Panther no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2006 | Lead | $80,000,000 | – | $12,000,000 |
| Cheaper by the Dozen 2 no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2005 | Lead | $60,000,000 | $135,000,000 | $9,000,000 |
| Disneyland: The First 50 Magical Years no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2005 | Supporting | – | – | $500,000 |
| Shopgirl no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2005 | Lead | $11,700,000 | $11,700,000 | $1,755,000 |
| Jiminy Glick in Lalawood no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2004 | Supporting | – | – | $500,000 |
| Bringing Down the House no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2003 | Lead | – | – | $3,000,000 |
| Cheaper by the Dozen no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $40,000,000 | $190,500,000 | $6,000,000 |
| Looney Tunes: Back in Action no disclosed fee: modeled on the $20.0M median for its era and budget band, capped at 15% of budget | 2003 | Lead | $80,000,000 | – | $12,000,000 |
| Eugene O'Neill Theatre no disclosed fee: modeled on the $20.0M era median; budget unreported, small-film terms | 2002 | Lead | – | – | $3,000,000 |
| The Elephant Man no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2002 | Lead | $5,000,000 | $26,010,864 | $750,000 |
| Novocaine no disclosed fee: modeled on the $20.0M era median, capped at 15% of budget | 2001 | Lead | $18,000,000 | – | $2,700,000 |
| Joe Gould's Secret no disclosed fee: 2.5% of the $20.0M era median; budget unreported, small-film terms | 2000 | Supporting | – | – | $500,000 |
| Bowfinger no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $55,000,000 | $98,625,775 | $8,250,000 |
| Fantasia 2000 no disclosed fee: 2.5% of the $2.0M median for its era and budget band; budget unreported, small-film terms | 1999 | Supporting | – | – | $50,000 |
| The Out-of-Towners no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1999 | Lead | $40,000,000 | $28,000,000 | $6,000,000 |
| The Venice Project no disclosed fee: 2.5% of the $2.0M median for its era and budget band; budget unreported, small-film terms | 1999 | Supporting | – | – | $50,000 |
| The Prince of Egypt no disclosed fee: 2.5% of the $2.0M median for its era and budget band; budget unreported, small-film terms | 1998 | Supporting | – | – | $50,000 |
| The Simpsons no disclosed fee: 2.5% of the $2.0M median for its era and budget band; budget unreported, small-film terms | 1998 | Supporting | – | – | $50,000 |
| The Spanish Prisoner no disclosed fee: modeled on the $2.0M median for its era and budget band, capped at 15% of budget | 1997 | Lead | $10,000,000 | $13,800,000 | $1,500,000 |
| Sgt. Bilko no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1996 | Lead | $39,000,000 | $37,956,793 | $5,850,000 |
| Father of the Bride Part II no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1995 | Lead | $40,000,000 | $103,000,000 | $6,000,000 |
| A Simple Twist of Fate no disclosed fee: modeled on the $2.0M median for its era and budget band, capped at 15% of budget | 1994 | Lead | $3,430,583 | $3,430,583 | $514,587 |
| Mixed Nuts no disclosed fee: modeled on the $2.0M median for its era and budget band | 1994 | Lead | $15,000,000 | – | $2,000,000 |
| And the Band Played On no disclosed fee: 2.5% of the $2.0M median for its era and budget band; budget unreported, small-film terms | 1993 | Supporting | – | – | $50,000 |
| Picasso at the Lapin Agile no disclosed fee: modeled on the $2.0M median for its era and budget band; budget unreported, small-film terms | 1993 | Lead | – | – | $2,000,000 |
| Housesitter no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $26,000,000 | $94,900,000 | $3,900,000 |
| Leap of Faith no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1992 | Lead | $20,000,000 | $23,400,000 | $3,000,000 |
| Father of the Bride no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $20,000,000 | $129,000,000 | $3,000,000 |
| Grand Canyon no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $40,991,329 | $40,991,329 | $6,148,699 |
| L.A. Story no disclosed fee: modeled on the $15.0M median for its era and budget band, capped at 15% of budget | 1991 | Lead | $28,900,000 | $28,900,000 | $4,335,000 |
| My Blue Heaven no disclosed fee: modeled on the $2.0M median for its era and budget band; budget unreported, small-film terms | 1990 | Lead | – | – | $2,000,000 |
| Parenthood no disclosed fee: modeled on the $8.0M median for its era and budget band, capped at 15% of budget | 1989 | Lead | $20,000,000 | $126,000,000 | $3,000,000 |
| Dirty Rotten Scoundrels no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1988 | Lead | $6,500,000 | $42,000,000 | $975,000 |
| Waiting for Godot no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1988 | Lead | – | – | $2,750,000 |
| Planes, Trains and Automobiles no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1987 | Lead | $15,000,000 | $49,530,280 | $2,250,000 |
| Roxanne no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1987 | Lead | – | – | $2,750,000 |
| The Tracey Ullman Show no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1987 | Lead | – | – | $2,750,000 |
| Leo & Liz in Beverly Hills no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1986 | Lead | – | – | $2,750,000 |
| Little Shop of Horrors no disclosed fee: modeled on the $8.0M median for its era and budget band, capped at 15% of budget | 1986 | Lead | $25,000,000 | $39,032,786 | $3,750,000 |
| ¡Three Amigos! no disclosed fee: modeled on the $8.0M median for its era and budget band, capped at 15% of budget | 1986 | Lead | $25,000,000 | $39,200,000 | $3,750,000 |
| George Burns Comedy Week no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1985 | Lead | – | – | $2,750,000 |
| Movers & Shakers no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1985 | Supporting | – | – | $68,750 |
| All of Me no disclosed fee: modeled on the $8.0M median for its era and budget band, capped at 15% of budget | 1984 | Lead | $36,403,064 | $36,403,064 | $5,460,460 |
| Domestic Life no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1984 | Lead | – | – | $2,750,000 |
| The Lonely Guy no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1984 | Lead | $5,718,573 | $5,718,573 | $857,786 |
| The Man with Two Brains no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1983 | Lead | $10,000,000 | $10,000,000 | $1,500,000 |
| Dead Men Don't Wear Plaid no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1982 | Lead | $9,000,000 | $18,196,170 | $1,350,000 |
| Twilight Theater no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1982 | Lead | – | – | $2,750,000 |
| Pennies from Heaven no disclosed fee: modeled on the $8.0M median for its era and budget band, capped at 15% of budget | 1981 | Lead | $22,000,000 | $9,100,000 | $3,300,000 |
| Steve Martin's Best Show Ever no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1981 | Lead | – | – | $2,750,000 |
| All Commercials... A Steve Martin Special no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1980 | Lead | – | – | $2,750,000 |
| Steve Martin: Comedy Is Not Pretty no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1980 | Lead | – | – | $2,750,000 |
| Steve Martin: Homage to Steve no disclosed fee: modeled on the $2.8M median for its era and budget band; budget unreported, small-film terms | 1979 | Lead | – | – | $2,750,000 |
| The Jerk no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1979 | Lead | $4,000,000 | $100,000,000 | $600,000 |
| The Kids Are Alright no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1979 | Supporting | – | – | $68,750 |
| The Muppet Movie no disclosed fee: modeled on the $2.8M median for its era and budget band, capped at 15% of budget | 1979 | Lead | $8,000,000 | $65,810,475 | $1,200,000 |
| Sgt. Pepper's Lonely Hearts Club Band no disclosed fee: 2.5% of the $2.8M median for its era and budget band | 1978 | Lead | $18,000,000 | $11,000,000 | $68,750 |
| Steve Martin: A Wild and Crazy Guy no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1978 | Lead | – | – | $68,750 |
| The Carol Burnett Show no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1978 | Lead | – | – | $68,750 |
| The Absent-Minded Waiter no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1977 | Lead | – | – | $68,750 |
| The Muppet Show no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1977 | Supporting | – | – | $68,750 |
| Doc no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1976 | Lead | – | – | $68,750 |
| Saturday Night Live no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1976 | Supporting | – | – | $68,750 |
| Steve Martin: On Location with Steve Martin no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1976 | Supporting | – | – | $68,750 |
| The Funnier Side of Eastern Canada no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1974 | Lead | – | – | $68,750 |
| The Midnight Special no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1973 | Supporting | – | – | $68,750 |
| Another Nice Mess no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1972 | Lead | – | – | $68,750 |
| The Ray Stevens Show no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1970 | Supporting | – | – | $68,750 |
| The Sonny & Cher Comedy Hour no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1970 | Lead | – | – | $68,750 |
| Off to See the Wizard no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1967 | Lead | – | – | $68,750 |
| The Smothers Brothers Comedy Hour no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1967 | Supporting | – | – | $68,750 |
| Dusty's Attic no disclosed fee: 2.5% of the $2.8M median for its era and budget band; budget unreported, small-film terms | 1966 | Lead | – | – | $68,750 |
How the modeled figures work. An undisclosed lead role after the breakthrough gets the median of disclosed lead salaries for its era and budget band, capped at 15% of the film’s budget. Supporting and pre-breakthrough roles get 2.5% of that median, the documented going rate for actors before stardom. Films with no reported budget are treated as small productions. Undocumented backend, endorsements, and producer or director credits enter as separate estimated lines in the calculation above, built from disclosed medians. Every median comes from the published tables on our methodology page.
Net Worth Over Time
Modeled balance at the end of each year, matching the year-by-year table below.
Year by Year
| Year | Income | Rep fees | Tax rate | Spent | Saved | Balance |
|---|---|---|---|---|---|---|
| 2026 | $3,019,790 | $452,968 | 45% | $691,758 | $719,993 | $455,188,594 |
| 2025 | $14,368,414 | $2,155,262 | 45% | $3,291,444 | $3,425,789 | $439,666,962 |
| 2024 | $11,368,414 | $1,705,262 | 45% | $2,604,219 | $2,710,514 | $398,168,318 |
| 2023 | $11,368,414 | $1,705,262 | 45% | $2,604,219 | $2,710,514 | $356,727,860 |
| 2022 | $7,018,414 | $1,052,762 | 45% | $1,607,743 | $1,673,365 | $314,422,163 |
| 2021 | $5,022,810 | $753,421 | 45% | $1,150,600 | $1,197,563 | $372,630,523 |
| 2020 | $4,022,810 | $603,421 | 45% | $921,525 | $959,138 | $332,744,730 |
| 2019 | $2,698,040 | $404,706 | 45% | $618,053 | $643,280 | $302,095,633 |
| 2018 | $8,736,293 | $1,310,444 | 45% | $2,001,266 | $2,082,951 | $260,623,133 |
| 2017 | $3,236,293 | $485,444 | 47% | $714,396 | $743,555 | $265,496,182 |
| 2016 | $12,812,833 | $1,921,925 | 47% | $2,828,369 | $2,943,812 | $240,341,174 |
| 2015 | $1,305,019 | $195,753 | 47% | $288,076 | $299,835 | $224,451,027 |
| 2014 | $3,305,019 | $495,753 | 47% | $729,566 | $759,345 | $222,515,701 |
| 2013 | $418,176 | $62,726 | 47% | $143,175 | $45,213 | $206,438,612 |
| 2012 | $433,626 | $65,044 | 43% | $132,358 | $77,734 | $182,582,779 |
| 2011 | $6,601,897 | $990,285 | 43% | $1,567,323 | $1,631,296 | $168,269,449 |
| 2010 | $429,231 | $64,385 | 43% | $131,016 | $76,946 | $161,314,766 |
| 2009 | $14,732,809 | $2,209,921 | 43% | $3,497,642 | $3,640,403 | $148,281,706 |
| 2008 | $10,988,222 | $1,648,233 | 43% | $2,608,659 | $2,715,135 | $127,227,094 |
| 2007 | $299,160 | $44,874 | 43% | $110,157 | $34,786 | $155,834,743 |
| 2006 | $26,321,706 | $3,948,256 | 43% | $6,248,905 | $6,503,962 | $149,005,314 |
| 2005 | $12,000,094 | $1,800,014 | 43% | $2,848,882 | $2,965,163 | $131,449,717 |
| 2004 | $797,786 | $119,668 | 43% | $243,512 | $143,015 | $124,814,993 |
| 2003 | $21,768,136 | $3,265,220 | 43% | $5,167,864 | $5,378,797 | $117,399,103 |
| 2002 | $4,069,121 | $610,368 | 46% | $915,186 | $952,541 | $98,145,049 |
| 2001 | $3,057,591 | $458,639 | 46% | $687,683 | $715,751 | $106,993,074 |
| 2000 | $857,591 | $128,639 | 46% | $247,989 | $145,645 | $110,429,471 |
| 1999 | $15,095,077 | $2,264,262 | 46% | $3,395,034 | $3,533,607 | $111,184,420 |
| 1998 | $482,167 | $72,325 | 46% | $139,428 | $81,886 | $98,558,767 |
| 1997 | $1,945,660 | $291,849 | 46% | $437,598 | $455,460 | $85,287,213 |
| 1996 | $6,393,577 | $959,037 | 46% | $1,437,979 | $1,496,673 | $71,946,191 |
| 1995 | $6,681,624 | $1,002,244 | 46% | $1,502,764 | $1,564,101 | $63,662,463 |
| 1994 | $2,914,211 | $437,132 | 46% | $655,435 | $682,188 | $51,338,780 |
| 1993 | $2,445,055 | $366,758 | 46% | $549,917 | $572,363 | $50,849,822 |
| 1992 | $7,597,949 | $1,139,692 | 36% | $2,025,309 | $2,107,975 | $47,003,655 |
| 1991 | $14,315,766 | $2,147,365 | 36% | $3,816,011 | $3,971,766 | $42,647,718 |
| 1990 | $2,222,857 | $333,429 | 36% | $592,525 | $616,710 | $32,978,574 |
| 1989 | $3,632,446 | $544,867 | 36% | $968,265 | $1,007,786 | $31,976,863 |
| 1988 | $4,081,738 | $612,261 | 36% | $1,088,028 | $1,132,437 | $26,383,381 |
| 1987 | $8,100,382 | $1,215,057 | 45% | $1,855,595 | $1,931,334 | $23,126,964 |
| 1986 | $10,641,829 | $1,596,274 | 55% | $1,994,545 | $2,075,955 | $20,583,278 |
| 1985 | $2,970,950 | $445,642 | 55% | $556,830 | $579,558 | $16,507,151 |
| 1984 | $9,324,445 | $1,398,667 | 55% | $1,747,634 | $1,818,966 | $13,326,746 |
| 1983 | $1,651,870 | $247,780 | 45% | $378,402 | $393,847 | $10,767,614 |
| 1982 | $4,266,166 | $639,925 | 45% | $977,272 | $1,017,161 | $10,373,767 |
| 1981 | $7,682,899 | $1,152,435 | 45% | $1,759,960 | $1,831,795 | $9,356,606 |
| 1980 | $9,605,025 | $1,440,754 | 45% | $2,200,271 | $2,290,078 | $7,524,811 |
| 1979 | $13,133,166 | $1,969,975 | 45% | $3,008,480 | $3,131,275 | $5,234,733 |
| 1978 | $6,206,250 | $930,938 | 45% | $1,421,697 | $1,479,725 | $2,103,458 |
| 1977 | $2,137,500 | $320,625 | 45% | $489,648 | $509,633 | $623,733 |
| 1976 | $206,250 | $30,938 | 45% | $60,746 | $35,676 | $114,099 |
| 1975 | $0 | $0 | 45% | $0 | $0 | $78,423 |
| 1974 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $78,423 |
| 1973 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $70,709 |
| 1972 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $62,996 |
| 1971 | $0 | $0 | 45% | $0 | $0 | $55,282 |
| 1970 | $137,500 | $20,625 | 45% | $40,497 | $23,784 | $55,282 |
| 1969 | $0 | $0 | 45% | $0 | $0 | $31,498 |
| 1968 | $0 | $0 | 45% | $0 | $0 | $31,498 |
| 1967 | $137,500 | $20,625 | 45% | $40,497 | $23,784 | $31,498 |
| 1966 | $68,750 | $10,313 | 45% | $24,427 | $7,714 | $7,714 |
Model Notes
- RESIDENCE PROXY: Beverly Hills base since 1995, with a New York apartment
- Image credit: Wikimedia Commons via Wikipedia (Steve Martin)
Methodology
We rebuild Steve’s career as a yearly time series. Disclosed salaries and documented backend enter as reported, with citations. Undisclosed lead roles get the median of disclosed salaries for their era and budget band, capped at 15% of the film’s budget. Supporting roles and roles from before the breakthrough get 2.5% of that median, the going-rate ratio measured from disclosed pre-stardom deals. Films with no reported budget are treated as small productions, and every role is estimated unless a source documents it was unpaid. Representation fees come out at sourced rates, taxes follow the eras actually lived through, spending follows measured household savings behavior unless court documents say otherwise, and what remains compounds at real market returns. Undocumented backend enters as an expected value from disclosed deals, endorsements at the median disclosed ambassador fee, and producer or director credits at union-scale floors.
The full model, every rate table, and how our estimates have checked out against real deals are on the methodology page.
Frequently Asked Questions
What is Steve Martin's net worth in 2026?
As of 2026, Steve Martin's net worth is an estimated $455.2 Million. The estimate is built film by film from disclosed salaries and documented backend, then year by year: income, minus representation fees and taxes, minus spending, compounded at real market returns.
How does Steve Martin make money?
Film salaries and documented backend participation.
How is Steve Martin's net worth calculated?
Disclosed paydays enter as reported, with citations. Undisclosed lead roles use the median of disclosed salaries for their era and budget band, capped at 15% of the film's budget, and supporting or early-career roles use the documented pre-stardom fraction of that median. We subtract sourced representation fees, taxes for the years Steve actually worked, and spending from measured savings behavior, then compound at real market returns. Undocumented backend, endorsements, and producing credits enter as estimated lines from disclosed medians. Every rate and source is published.
How much does Steve Martin make per film?
It varies by role and era, and the film-by-film table above lists the pay counted for every title. Disclosed paydays enter as reported. Undisclosed roles are modeled from what comparable actors earned in the same era and budget range, with lead roles after the breakthrough earning the most and supporting or early roles a documented fraction of that.
Why is the tax rate so high, and don't actors avoid it with a loan-out company?
Tax comes out at the effective rate for where Steve lived each year, which is the rate shown in the year-by-year table. In a high-tax state like California, combined federal and state income tax reaches close to half of a top earner's income, so those years run in the mid-40s percent. A loan-out company, the corporation many actors run their income through, does not lower the tax on the money they take home. Its real advantage is deducting business costs such as agent, manager, and attorney fees, and the model already subtracts those as a separate line before any tax is applied. High-earning performers also fall outside the pass-through business deduction that other company owners can claim, so it buys them no rate cut.
Why is this figure different from other net worth sites?
Most sites publish a single number with no way to check it. This estimate is built in the open: every salary, rate, and assumption is on the page, and the methodology page lists every source.
How accurate is this estimate?
No net worth estimate for a private individual is exact; this one is a model built from public data. The difference is that you can see how it was built and check every step. The confidence grade near the top of the calculation shows how much of the figure rests on disclosed numbers, and the page flags where a number leans on an assumption.
Is Steve Martin rich compared to the average person?
Yes. A net worth of $455.2 Million is far above the median American household, which sits near $193,000 according to Federal Reserve data.
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About NetWorth Explained
We originally created NWE because nobody in the public-figure net worth space showed their work. Magazines and sites threw out big numbers while hiding behind vague claims of “proprietary algorithms” or “insider knowledge.” That’s why we started the world’s only publication that transparently showed every assumption, every variable, and every calculation. We’re still the only ones who do it this way. Read more about NetWorth Explained.